There are so many different kinds of prints, we confess, that it’s better to direct you to Wikipedia for detailed background. But we wouldn’t be surprised if an eye-popping majority of those kinds – to say nothing of the abundance of subjects depicted, the profusion of styles engaged – were available for viewing during the sixth annual PrintAustin celebration.:
This year’s iteration of PrintAustin runs from January 15 to February 15 and features a wide diversity of events throughout the city – including exhibitions, artist talks, demos, workshops, and more. We’ll be highlighting several of those in your Chronicle's visual arts listings as the fest continues, of course, so keep your eyes peeled this-a-way.
And a local artist – Stuart Wallace – has gotten there first, is the idea here, and he's brought back an array of artifacts that are as eerie as they are graceful. I can't properly express the odd and sublime aesthetics of what the man's wrought, but I can tell you that the pieces often include abandoned wasps' nests and ball moss and photos and rope, expertly arranged, and they're often framed in wood that Wallace has carefully charred with a flame thrower.
Real talk: There's already too much to see in Austin, already too much for a listings editor to cover; WTF would make me take the time to promote this show up at the Georgetown Public Library? Answer: The sheer, stunning beauty of this work.
Go ahead, make a whole afternoon of it, check out Wallace's "Future Artifacts" and that Atelier Dojo faculty exhibition at the Georgetown Art Center while you're moseying around, maybe stop for an exquisite meal at Jack Gilmore's Salt Traders Coastal Cooking on the way there or back. But FFS don't miss this show.
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