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for Fri., Feb. 1

  • Affordable Art Fair Austin

    Affordable Art Fair Austin will launch in May 2024, showcasing original contemporary artworks ranging between $100 to $10,000. Welcoming a whole host of local, national and international exhibitors, their spectacular first edition is set to be unmissable!
    May 16-19  
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    Palmer Events Center

  • Laundry & Bourbon with Lonestar

    Laundry and Bourbon with Lonestar, two companion one act plays set in backyards of a small Texas town. Three ladies come together to talk about their life's ups and downs. Lonestar follows the life of three small town boys and the events that have shaped them. Both shows give us highs & lows with humor spread around, for good measure.
    Apr. 19-May 5  
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    Navasota Theatre Alliance
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  • Music

    Rex the Dog, Ian Orth, Mouthfeel, Dylan Reece, Cap'n Tits

    London dance music producer Jake Williams wields serious firepower in his Texas debut. A veteran of Cologne’s legendary Kompakt Records, the king of canines travels with a modular synthesizer featuring parts he designed himself specifically for live performance.: Austin Chronicle: Describe your music.: Jake Williams: I’m obsessed with analog synthesizers. That’s one theme that’s present throughout everything. There’s an Eighties vibe and bits of electro and techno, but not pure techno. There’s a four to the floor drum beat, so you’ll be able to dance. It’s for fun rather than chin-stroking.: AC: Why do you use a modular synth live?: JW: I tweak and mod the sequences and sounds, which is really fun. You can have big mistakes that sound amazing or can fuck up the flow completely, which gives a nice element of risk. And I have the modular facing the audience, which looks so great, [because] it acts as the second member of the band. Half the value of having a machine like that is people see what you’re doing.: AC: Any advice for potential modular hobbyists?: JW: Start small. Get the minimum you need to get a sound: a VCA, an oscillator, an envelope, and a filter. There’s a hell of a lot you can do with that.: AC: In the Nineties you had a crossover hit, “There’s Nothing I Won’t Do.” Do you ever consider making another song for radio?: JW: You know, my mother asks me this question: “Why don’t you do another one of those hits?” I have no clue. I was making club music in the right place at the right time and those records resonated in a crossover market, but that was never my intention. There’s no way I could control that or do it again. You make what you make and that’s that.
    Fri., Feb. 1, 9pm
    The North Door
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