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“[Demonstrating] a dancer’s precision, she moved across the stage clutching a golden microphone, singing like a Latin Björk-burlesque hybrid,” observed the Chronicle from the mainstage of ACL Fest 2018. “Each movement timed out thrillingly, lending even pedestrian moves a huge payoff.” True dat – es cierto – because Chilean transmission Norma Monserrat Bustamante Laferte proved an instant revelation: hypnotic, seductive, provocative. Last year’s typically converting Autopoiética spilled a cornucopia of instruments (brass, woodwinds, accordions) and sounds: trip-hop tempos, digital chops, Auto-Tune. Femme fatale one moment, wronged the next – digital disco to torch traditionals – Mon Laferte’s effortlessly avant-garde and futuristically traditional. Ximena Sariñana opens. – Raoul Hernandez