Dance and resistance define Panteón Rococó. The Mexico City 10-piece takes root in Latin ska, as evidenced by “La Dosis Perfecta” and the raucous “La Carencia,” but punk, salsa, mariachi, and reggae crackle throughout an expansive catalog. Take your pick: the blazing big brass on A la Izquierda de la Tierra (1999), political brashness of Compañeros Musicales (2002), or the eclectic Ni Carne Ni Pescado (2012).