The Souvenir Part II

The Souvenir Part II

2021, R, 106 min. Directed by Joanna Hogg. Starring Honor Swinton Byrne, Jaygann Ayeh, Tilda Swinton, James Spencer Ashworth, Richard Ayoade, Ariane Labed, Harris Dickinson, Charlie Heaton, Joe Alwyn.

REVIEWED By Richard Whittaker, Fri., Nov. 12, 2021

Death is a table with an empty chair in a familiar restaurant. It's a view from a window. It's the L on the door to the flat that young filmmaker Julie (Byrne) shared with Anthony before he let his heroin addiction wreck their relationship, and finally take his life.

For anyone who watched Joanna Hogg's heartbreaking 2019 semiautobiography, The Souvenir, the opening sequences of The Souvenir Part II are funereal, as Julie near-wordlessly glides between fractured moments. She is the ghost in her own life, the naivete of her performance in the first film replaced by a sense of confusion that even she can barely recognize. It's not simply a quest to understand the enigmatic, damaged, and duplicitous Anthony, and exactly who he was behind the Byronic figure that she saw (although those questions plague her). It's who she will be after that fateful phone call. Yet The Souvenir Part II is less a sequel and more of an extrapolation. It's less immediate than the first film, less cumulatively dramatic, but it flourishes in its complexity, in its depiction of the whole of Julie as she tries to focus her loss through her film school graduation project.

Hogg's work here puts the lie to the idea that observational, heavily improvised films are easy. There's an extraordinary control here, much of it expressed through Julie and especially through the period-accurate costume work of Grace Snell, which reflect the ebbing of her post-loss depression. It's all in Julie's physical evolution, from the ghostlike bedclothes under which she mourns while seeking sanctuary with mater (Swinton) and pater (Ashworth), through her demi-life as a fractured porcelain statue under thick, shoulder-padded floor-length coats (de rigueur among the bright young things of the time), into figure-hugging post-New Romantic silks with the odd angular slash. Those decisions complement and inform Byrne's performance, her organic growth reflected in the calendar of seasonal flowers at her parents' farm.

At heart, The Souvenir Part II is a film about filmmaking as art, industry, and identity. Ayaode returns as the acerbic Patrick, now fully revealed as a Julian Temple-esque mercurial director on a set that screams Absolute Beginners. His brief appearances are all challenges to Julie, to contend with her grief, to deal with Anthony's legacy, to not think that hers are the only concerns in the world. In the latter are some of Hogg's deepest moments of quiet self-critique, vital to prevent any sense of self-pity. This is, after all, a brutally honest self-portrait.

Julie's graduation film is also titled "The Souvenir," and that it shares the title of the first half of Hogg's duet is the tell here. Part II is Hogg looking back on that time in her own life, but also on the first film itself, and what it would have looked like if she'd tried to make it when she was 28. Autobiography and commentary interweave seamlessly, with the graduation film as Julie's effort to synthesize her experiences through cinema history and borrowed iconography. The screening becomes a full-blown fantasy sequence, a magpie's nest of The Wizard of Oz, French New Wave, and Powell and Pressburger (a self-critical nod to Hogg's own graduation film, "Caprice"), yet still has the burgeoning of Julie's own voice – even if she's making money from the commercial goldmine of music videos.

Ultimately, The Souvenir Part II is Hogg looking to Julie's next steps, even as she becomes more of a fictional character than a proxy. Yet it's not about anything so trite as "moving past" grief. The final moments of The Souvenir Part II crystallize the films' themes, and with a final word Hogg exposes her own reality. For all of Julie's journey (which is the filmmaker's own), making these films will not yield the cathartic resolution that her younger self seeks. Cut to black, and The Souvenir Part II is still there.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

More Joanna Hogg Films
The Eternal Daughter
Ghosts of family bonds haunt Tilda Swinton in this continuation of The Souvenir

Richard Whittaker, Dec. 2, 2022

The Souvenir
Joanna Hogg's dreamlike memoir of love and loss in 1980s London

Richard Whittaker, May 31, 2019

More by Richard Whittaker
South by Southwest Sends in the Clowns
South by Southwest Sends in the Clowns
Pamela Adlon, Frank Oz, John Leguizamo, and more for Comedy Festival

Feb. 28, 2024

Alex Garland's <i>Civil War</i> Will World Premiere at SXSW
Alex Garland's Civil War Will World Premiere at SXSW
Eagerly awaited thriller stars Kirsten Dunst, Nick Offerman

Feb. 22, 2024


The Souvenir Part II, Joanna Hogg, Honor Swinton Byrne, Jaygann Ayeh, Tilda Swinton, James Spencer Ashworth, Richard Ayoade, Ariane Labed, Harris Dickinson, Charlie Heaton, Joe Alwyn

One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Keep up with happenings around town

Kevin Curtin's bimonthly cannabis musings

Austin's queerest news and events

Eric Goodman's Austin FC column, other soccer news

Information is power. Support the free press, so we can support Austin.   Support the Chronicle