Dave Grusin: Not Enough Time

Dave Grusin: Not Enough Time

2020, NR, 84 min. Directed by Barbara Bentree.

REVIEWED By Josh Kupecki, Fri., Sept. 4, 2020

The world is filled with unsung heroes. Individuals working within their respective spheres, diligently and without fanfare. In the arts, they are often labeled the “artist’s artist,” romanticized among the cognoscenti, invisible to larger audiences. It is a common trope in documentaries, casting a lens on lesser known subjects, and more often than not, the results veer toward mawkish hagiography. Which alas, is the case with Dave Grusin: Not Enough Time, Barbara Bentree’s profile of the pianist/composer/arranger/producer, who’s been in the music and film industry for almost six decades, methodically working his craft while eschewing the public eye.

Consisting mainly of interviews with Grusin himself and recent live performances, the film weaves the story of a boy growing up in Colorado to immigrant parents, fond reminiscences of an early piano teacher, stints as a rancher and enlistment into the Navy before settling into Grusin’s career, which started its trajectory when he became musical director of Sixties Variety program The Andy Williams Show. Grusin worked with many seminal artists, Quincy Jones, Sergio Mendes, and became a favorite of the late director Sydney Pollack when Grusin branched out into film composing. He won an Academy Award for his score for The Milagro Beanfield War in 1988 and nurtured many artists with the record label he co-founded, GRP. From the talking head testimonials from his children to Jones, Tom Brokaw, and Michael Keaton (the latter two’s inclusion perhaps having more to do with being Grusin’s Montana neighbors and “fishing buddies”), a portrait is sketched of an unassuming yet driven perfectionist who never missed a deadline and could switch musical genres at the drop of a hat.

And yet, the film never goes beyond a succession of Grusin’s accomplishments, and rarely does it delve into anything resembling an examination of his creative process. The closest it comes to that is Grusin describing how he sets about composing a film by wondering what the image on the screen might sound like. And while there are interesting anecdotes, such as trying to unsuccessfully replicate Simon & Garfunkel’s seminal score for The Graduate, or coming up with a last minute song for Tootsie, the lack of a rounded portrait of the man is palpable. Gentle drone shots of picturesque landscapes and Grusin fly fishing in idyllic streams that aim to tie Grusin’s work with the geography that surrounds him feel like filler. There’s no doubt that Grusin is an incredibly creative talent, but Not Enough Time never ventures past a visual résumé.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for almost 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

READ MORE
More Films
The Resort
Idiotic haunted hotel horror can't be heard, isn't worth seeing

Jenny Nulf, April 30, 2021

Walking With Herb
Bagger Vance, but with more evangelical stuff

April 30, 2021

More by Josh Kupecki
Four Good Days
Bland rehab drama is more wasted than its characters

April 30, 2021

Together Together
Surrogacy comedy defies the rom-com conventions

April 23, 2021

KEYWORDS FOR THIS FILM

Dave Grusin: Not Enough Time, Barbara Bentree

MORE IN THE ARCHIVES
NEWSLETTERS
One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Can't keep up with happenings around town? We can help.

Austin's queerest news and events

New recipes and food news delivered Mondays

Eric Goodman's Austin FC column, other soccer news

Information is power. Support the free press, so we can support Austin.   Support the Chronicle