The Mustang

The Mustang

2019, R, 96 min. Directed by Laure de Clermont-Tonnerre. Starring Matthias Schoenaerts, Jason Mitchell, Bruce Dern, Gideon Adlon, Connie Britton, Josh Stewart, Thomas Smittle.

REVIEWED By Marc Savlov, Fri., March 22, 2019

If the opening sequence of The Mustang calls anything to mind from our collective cinematic past, it's the ending of 1961’s The Misfits. Lensed in northern Nevada’s Pyramid Lake region on the very same desolate location – Mustang Flats – made famous by Huston, Gable, Monroe, and Clift, director Clermont-Tonnerre substitutes a helicopter for Eli Wallach’s battered biplane, yet the goal remains the same: the roundup and capture of the Silver State’s famed wild mustangs, current population estimated by the Bureau of Land Management at 40,000 or more. The Misfits, of course, ended up becoming Gable and Monroe’s melancholic swan song. The Mustang, Clermont-Tonnerre’s impressive debut feature, is a slow-burning, tightly coiled character study of felony offender Roman Coleman (Bullhead’s Schoenaerts).

While serving out his time at the Northern Nevada Correctional Center, Roman finds something close to redemption when he’s offered a chance to join the prison’s wild horse training facility. Overseen by program head Myles (an irascible Dern), Coleman is paired with an “unbreakable” stallion, which he dubs Marquis. Astute viewers will see where this is going – both man and horse have anger management and conflict resolution issues – but Schoenaerts’ gradual transformation from a taciturn yet seething golem of a man into an actual empathetic human being is a masterful performance. Dern is always a welcome presence in any movie, and his flinty old timer/die-hard cowboy is yet another marvelous notch in his saddle.

Director of photography Ruben Impens camera makes spectacular use of the looming Sierra Nevada mountains. Coupled with the lake bed’s sudden alkali whirlwinds, the desert’s cacophonous weather, and composer Jed Kurzel’s forlorn score, The Mustang is a microepic of the lost and the found.

Showtimes

Arbor Cinema @ Great Hills

9828 Great Hills Trail, 512/231-9742

Discounts daily before 6pm.

Sat., April 20

CC/DVS 1:10, 3:40, 7:00, 9:20

Sun., April 21

CC/DVS 1:10, 3:40, 7:00, 9:20

Mon., April 22

CC/DVS 1:10, 3:40, 7:00, 9:20

Tue., April 23

CC/DVS 1:10, 3:40, 7:00, 9:20

Wed., April 24

CC/DVS 1:10, 3:40, 7:00, 9:20

Thu., April 25

CC/DVS 1:10, 3:40, 7:00, 9:20

Sat., April 20

digital 4:35, 7:05, 9:35

Sun., April 21

digital 4:35, 7:05, 9:35

Mon., April 22

digital 3:40, 9:35

Tue., April 23

digital 3:40, 9:35

Wed., April 24

digital 4:35, 7:05, 9:35

City Lights Theatre

420 Wolf Ranch Parkway, Georgetown, 512/868-9922

Sat., April 20

10:45am, 1:45, 4:45, 7:45, 10:20

Sun., April 21

1:45, 4:45, 7:45, 10:20

Mon., April 22

1:45, 4:45, 7:45, 10:20

Tue., April 23

1:45, 4:45, 7:45, 10:20

Wed., April 24

1:45, 4:45, 7:45, 10:20

Sky Cinemas

13201 US-290, 512/457-0700, www.skycinemas.com

Sat., April 20

10:50am, 1:10, 4:50, 6:35, 9:00

Sun., April 21

10:50am, 1:10, 4:50, 6:35, 9:00

Mon., April 22

11:30am, 2:25, 6:00, 7:00, 9:25

Tue., April 23

11:30am, 2:25, 6:00, 7:00, 9:25

Wed., April 24

11:30am, 2:25, 6:00, 7:00, 9:25

Violet Crown Cinema

434 W. Second, 512/495-9600, www.violetcrowncinema.com

Four-hour parking validation in attached garage with ticket purchase. Reserved seating; bar and cafe on-site.

Sat., April 20

11:00am, 1:10, 4:45, 6:30

Sun., April 21

11:00am, 12:50, 4:45, 6:35

Mon., April 22

11:00am, 1:10, 4:45, 6:30

Tue., April 23

11:00am, 1:10, 4:45, 6:30

Wed., April 24

11:00am, 1:10, 4:45, 6:30

Thu., April 25

11:00am, 1:10, 4:45

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KEYWORDS FOR THIS FILM

The Mustang, Laure de Clermont-Tonnerre, Matthias Schoenaerts, Jason Mitchell, Bruce Dern, Gideon Adlon, Connie Britton, Josh Stewart, Thomas Smittle

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