Birth of the Dragon

Birth of the Dragon

2017, PG-13, 103 min. Directed by George Nolfi. Starring Philip Ng, Billy Magnussen, Yu Xia, Terry Chen, Jingjing Qu, Xing Jin.

REVIEWED By Marc Savlov, Fri., Sept. 1, 2017

And now for something completely different: Director George Nolfi, better known as the writer of Ocean’s Twelve and The Bourne Ultimatum, follows up his critic-splitting 2011 Philip K. Dick adaptation The Adjustment Bureau by throwing his hat into the perpetually scattershot Bruce Lee biopic ring. The pre-Hollywood Lee is played to the hilt by the charismatic Ng, who captures Lee’s egocentric yet egalitarian ethos of bringing kung fu to the masses (the film is set in Sixties-era San Francisco) but the character’s famous self-confidence occasionally bleeds over into borderline smarm. Ostensibly a retelling of actual events, the film ultimately has the kung fu godhead facing off against Shaolin monk Wong Jack Man (Yu) who has come to SF to teach the uppity young master to “fight with his soul,” not just with his kicky charisma and lightning-fast moves.

All of this would be fine were it not for the film’s centerstage subplot that has Lee’s student Steve McKee (Magnussen, riffing a bulkier version of real-life Lee student Steve McQueen) fall for a Chinatown waitress (Qu) who’s simultaneously on track to be the local Tong lord’s prize concubine. In what should have been dropped like a steaming bowl of kung fu yung at the first story session, screenwriters Stephen J. Rivele and Christopher Wilkinson instead put the romance front and center, dealing a death blow to the film’s forward momentum. There’s plenty of B-movie Wuxia action on hand – Man of Steel cinematographer Amir Mokri and editor Joel Viertel adroitly employ slo-mo and whiplash cutting to capture the maddening insouciance of Lee’s famed fists of fury – but the end result never really achieves much more than being exactly what it is: another horseshoes and hand grenades attempt to tell version ad infinitum of the legend of Bruce Lee.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

More George Nolfi Films
The Banker
Controversial biopic about two bankers who helped build the African-American middle class

March 6, 2020

The Adjustment Bureau
Based on a Philip K. Dick story, this multilayered romantic thriller stars Matt Damon and Emily Blunt.

Marc Savlov, March 4, 2011

More by Marc Savlov
Remembering James “Prince” Hughes, Atomic City Owner and Austin Punk Luminary
Remembering James “Prince” Hughes, Atomic City Owner and Austin Punk Luminary
The Prince is dead, long live the Prince

Aug. 7, 2022

Green Ghost and the Masters of the Stone
Texas-made luchadores-meets-wire fu playful adventure

April 29, 2022


Birth of the Dragon, George Nolfi, Philip Ng, Billy Magnussen, Yu Xia, Terry Chen, Jingjing Qu, Xing Jin

One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Keep up with happenings around town

Kevin Curtin's bimonthly cannabis musings

Austin's queerest news and events

Eric Goodman's Austin FC column, other soccer news

Information is power. Support the free press, so we can support Austin.   Support the Chronicle