The Town

The Town

2010, R, 125 min. Directed by Ben Affleck. Starring Ben Affleck, Jon Hamm, Jeremy Renner, Rebecca Hall, Blake Lively, Chris Cooper, Pete Postlethwaite, Titus Welliver.

REVIEWED By Kimberley Jones, Fri., Sept. 17, 2010

Ben Affleck touches down again in his hometown, Boston, for his second time behind the camera, following 2007’s well-received Gone Baby Gone. The title’s town isn’t blue-blood Cambridge or scrappy South Boston, but rather Charlestown, a kill-or-be-killed stretch of land notorious for hatching bank robbers like chickens do eggs. Ingrained violence and OxyContin addiction are casual facts in Charlestown, but Doug MacRay (Affleck) is trying to leave both behind. His startling leanness and muscularity feel true to a recovering addict channeling his obsessive nature into other outlets. Another outlet is knocking over banks. Doug runs a crew with his childhood friend James (Renner, scary and rabid), and in a tight, fierce opening sequence, we see just how good – how professional and ruthless – these men are at their jobs. In that same sequence, Doug meets a woman named Claire (Hall) and, through her, begins to imagine the possibilities of a life outside of Charlestown. Affleck is affecting as the quiet-spoken, conflicted tough guy, but it’s in his scenes with Hall that he catches your breath. Voice barely above a murmur, he’ll slide into a slightly goofy smile, and it’s like a double exposure – the once-husky boy who turned to self-effacing jokes to get the girl, ghosting on the hard cheekbones and chiseled body of a leading man. It’s an aching, vulnerable performance, and the tenderness of Affleck and Hall’s scenes together elevate the routineness of the one-last-job-and-I’m-out plot. Mad Men’s Hamm, his handsomeness slackening with fatigue, plays an FBI agent closing in on Doug’s crew; I’m not sure his additional perspective benefits the film. The action is the stuff of locked-jaw suspense, but a feeling of inevitability hangs over the film without any tempering tragic weight. There are good guys we don’t care much about and bad guys that we do and even badder guys we’re supposed to hate. But on the sliding scale of culpability, everybody’s just a few clicks away from the next guy. Most of the film embraces that moral ambiguity, but the climax – a well-staged series of calamities – and its sunset coda unsettlingly whitewash that prior complexity.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

More Ben Affleck Films
Feel-good history of the Air Jordan centers on the shoe, not the man

Richard Whittaker, April 7, 2023

Live by Night
Ben Affleck directs and stars in this period gangster drama

Kimberley Jones, Jan. 13, 2017

More by Kimberley Jones
The Michelin Guide Rolls Into Texas
The Michelin Guide Rolls Into Texas
Storied restaurant guide to bestow state stars in the fall

July 16, 2024

Uptown Sports Club and Meanwhile Brewing Co. Are Throwing a Backyard BBQ
Uptown Sports Club and Meanwhile Brewing Co. Are Throwing a Backyard BBQ
Four-part series gathers pit & brew masters, chefs, live music

July 15, 2024


The Town, Ben Affleck, Ben Affleck, Jon Hamm, Jeremy Renner, Rebecca Hall, Blake Lively, Chris Cooper, Pete Postlethwaite, Titus Welliver

One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Keep up with happenings around town

Kevin Curtin's bimonthly cannabis musings

Austin's queerest news and events

Eric Goodman's Austin FC column, other soccer news

Information is power. Support the free press, so we can support Austin.   Support the Chronicle