Fast Food Nation

Fast Food Nation

2006, R, 116 min. Directed by Richard Linklater. Starring Greg Kinnear, Bobby Cannavale, Patricia Arquette, Catalina Sandino Moreno, Ashley Johnson, Esai Morales, Lou Taylor Pucci, Ethan Hawke, Luis Guzmán, Kris Kristofferson, Bruce Willis, Wilmer Valderrama, Ana Claudia Talancón, Avril Lavigne.

REVIEWED By Marc Savlov, Fri., Nov. 17, 2006

The conflict between knowing, or at least suspecting, the awful truth behind our beloved hamburgers and where, exactly, they came from (not to mention what's squirming and roiling within them before they hit the grill) is at the sinewy heart of Linklater's film. Using Eric Schlosser's contemporary updating of Upton Sinclair's 1906 meat-packing exposé, The Jungle, as its background, Linklater and the author have fleshed out a multilayered narrative that rips the protective veil of high-dollar marketing and high-stakes ad campaigns from the fast-food industry and all of its attendant social ills: the undeniably horrific plight of the undocumented Mexican workers who daily ebb and flow across the border to work in one of the four major meat-packing plants in this country, the sexual harassment, the rampant methamphetamine use among workers desperate to keep up with the impossible pace of the mechanized inspection lines, and the daily loss of life and limb to the ominously grinding machinery of the meat industry (both literal and figurative). It's a real horror show on the so-called "kill floor," but what's most shocking about this film is how little it shocks. Part of this is due to multiple, convergent storylines, which recall those in Steven Soderbergh's Traffic transposed from the shadowy world of the pan-American narcotics trade to the pan-American fast-food industries. Unfortunately, where Soderbergh's film crackled with momentous import (thanks in large part to Stephen Gaghan's brilliant scriptwork), Fast Food Nation's characters come off as randomly generated ciphers whose only purpose here is to illustrate the assorted societal and industrial dysfunctions of the fast-food biz. The film opens intriguingly with a group of Mexican laborers making the hazardous, desert border-crossing (one of them is separated from the group and, we assume, perishes). Among them, Sylvia (Moreno, of Maria Full of Grace), her husband Raul (Valderrama), and sister Coco (Talancón) end up in Cody, Colo., where they quickly find work at the mammoth beef-processing plant just outside of town. (The town itself is a major representative player in Linklater's film, and, with its generic consumer outlets and omnipresent McDonald's, it comes off as less strip-malled than strip-mauled.) It's not long before Coco is shacking up and getting high with the predatory line boss (Cannavale) and Raul runs afoul of the huge, clanking machinery. Meanwhile, Greg Kinnear's middle-management stooge is sent by his McDonald's-like chain to investigate reports of bovine feces in their star hamburger patties, and a group of student activists, including Mickey's McJob employee Amber (Johnson), passionately argue about how best to shut down the Machine. And then Hawke shows up. Why? And then Kinnear disappears from the storlyine. Why again? Fast Food Nation succeeds in broad strokes, pointedly drawing a parallel between the ceding of populist power and outrage to the faceless, profiteering, frighteningly un-American corporations that most certainly do not have your (much less your children's) best interests at heart. In this sense, it's a noble and worthy and important film. But as a character-driven narrative, it's a hollow beast, too often pedantic, that smacks of good-guy agitprop, shrill when it should be subtle and shrieking when a whisper would be far more unnerving. (See related inteview with Eric Schlosser on p.56 of this week's Screens section.)

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for almost 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

READ MORE
More Richard Linklater
Behind the Scenes at the Centre Pompidou's Tribute to Richard Linklater
Behind the Scenes at the Centre Pompidou's Tribute to Richard Linklater
An American in Paris

Richard Whittaker, Nov. 29, 2019

Richard Linklater Constructs a Frustrated Architect in <I>Where’d You Go, Bernadette</I>
Richard Linklater Constructs a Frustrated Architect in Where’d You Go, Bernadette
Cate Blanchett's character is the opposite of Frank Lloyd Wright, but no less complicated

Richard Whittaker, Aug. 16, 2019

More Richard Linklater
Following Linklater's <i>Dream</i>
Following Linklater's Dream
Richard Linklater: dream is destiny finally opens in Austin

Josh Kupecki, Aug. 28, 2016

That Eighties Film
That Eighties Film
How Everybody Wants Some!! re-created history

Richard Whittaker, April 7, 2016

More Richard Linklater Films
Where’d You Go, Bernadette
Cate Blanchett steals away with what’s left of her dreams in Linklater’s coming-of-middle-age comedy

Marjorie Baumgarten, Aug. 16, 2019

Last Flag Flying
Three veterans embark on a road trip in Linklater's latest

Marjorie Baumgarten, Nov. 10, 2017

More by Marc Savlov
The Marksman
Liam Neeson is the action man again in this border thriller

Jan. 15, 2021

Beautiful Something Left Behind
The hard path to healing when kids suffer a death in the family

Jan. 8, 2021

KEYWORDS FOR THIS FILM

Fast Food Nation, Richard Linklater, Greg Kinnear, Bobby Cannavale, Patricia Arquette, Catalina Sandino Moreno, Ashley Johnson, Esai Morales, Lou Taylor Pucci, Ethan Hawke, Luis Guzmán, Kris Kristofferson, Bruce Willis, Wilmer Valderrama, Ana Claudia Talancón, Avril Lavigne

MORE IN THE ARCHIVES
NEWSLETTERS
One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Can't keep up with happenings around town? We can help.

Austin's queerest news and events

New recipes and food news delivered Mondays

All questions answered (satisfaction not guaranteed)

Information is power. Support the free press, so we can support Austin.   Support the Chronicle