The Austin Chronicle

https://www.austinchronicle.com/events/film/1998-10-23/orgazmo/

Orgazmo

Rated NC-17, 90 min. Directed by Trey Parker. Starring Trey Parker, Matt Stone, Dian Bachar, Robyn Lynne Raab, Ron Jeremy, Michael Dean Jacobs, David Dunn, Chasey Lain, Juli Ashton, Stanley L. Kaufman.

REVIEWED By Marc Savlov, Fri., Oct. 23, 1998

From the evil geniuses behind South Park comes the Citizen Kane of pornographic/Mormon/martial arts/superhero/buddy films. Perhaps that's a bit over the top in the praise department, but Orgazmo -- like everything else Parker puts his mind to -- is equally outlandish, part skewed morality play, part sophomoric slapstick, and wholly ridiculous. Rarely will anyone get the chance to see so many professional adult film stars so frequently clothed, and it's equally uncommon to find porn legend Ron “Porcupine” Jeremy actually acting. The mind reels. A rosy-cheeked Parker plays Elder Joe Young, a young Mormon serving his required time in Los Angeles amongst the heathens while waiting anxiously to return to Utah to marry his beloved -- and impossibly cheery -- fiancée Lisa (Raab). Through a complex turn of events, Joe catches the eye of adult film producer Maxxx Orbison (Jacobs). Orbison takes a liking to Joe's martial arts abilities and recruits him to star in his next production as the titular Orgazmo, a triple-X superhero who battles evildoers alongside his diminutive sidekick Choda-boy (Bachar). When the film proves to be an unlikely box-office sensation, Joe must hide the embarrassing truth from Lisa (he tells her he's starring in Death of a Salesman and its sequels) as well as perform as the fictional Orgazmo in real life, using a fully functioning Orgazmorator (a weapon that stuns and incapacitates criminals by inducing intense orgasms). As his already narrow bridge between fantasy and reality dwindles, Joe finds himself becoming more and more enmeshed in the world of Orgazmo (all this despite the fact that he's contractually obligated to have a stunt penis). If that sounds silly, it is. Parker's hallmark wackiness is in full swing here, from the opening credits, in which a cheesoid metal band sings the praises of being a man, to his romantic interlude with one of the most hideously overweight strippers yet committed to film. Fans of South Park (and Parker's previous film, Cannibal: The Musical!) will have a riotous time, but it should be noted that the native Coloradoan is fast becoming an accomplished filmmaker. Orgazmo, for all its triple-entendres and bare-breasted shenanigans, is a sly little work of subversive comedy, at once poking some much-needed fun at the porn industry while simultaneously using real-life porno actors in key roles. Parker's white-bread take on the apple-pie, Mormon Joe Young is a thing of sublime silliness (blasting the evil Orbison with his Orgazmorator, he fires off a clip and adds, “One more. For Jesus.”) Whether or not the success of South Park and Parker's other work is indicative of the downfall of cerebral comedy is an argument for another time. Bottom line? Super-porno-Mormons are pretty damn funny. Nearly as much as watching Ron Jeremy try to act.

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