Nil by Mouth

1997, R, 128 min. Directed by Gary Oldman. Starring Ray Winstone, Kathy Burke, Laila Morse, Charlie Creed-Miles.

REVIEWED By Russell Smith, Fri., March 13, 1998

As our culture spirals ever-inward toward full convergence with the realm of daytime talk shows and Abuse Movies-of-the-Week, our capacity for shock diminishes in kind. So it's noteworthy when a movie like Gary Oldman's Nil by Mouth has the power to pierce the hard rind that's formed over our collective senses of revulsion, outrage, and empathy. Dedicated to the memory of his father, this brutal cinema vérité depiction of a prodigiously screwed-up English family emphasizes the semantic inadequacy of such words as “dysfunctional” and “codependency.” Autobiographical or not, the violent pathologies consuming this South London working-class clan will seem all too believable to anyone who's ever known such people, or who simply reads the morning paper. Father Ray (Winstone) is a binge-drinking, coke-snorting, topless bar-crawling hulk who rules his brood by fist and decree. The most frequent targets of his rage are his pregnant wife Val (Burke) and her teenaged dope-fiend brother, Billy (Creed-Miles). However, as in almost all such cases, a whole social network is required to facilitate, justify, or pointedly ignore this behavior, thus ensuring its continuation. Buddies of a similar stripe commiserate with the abuser. In-laws ineffectually complain. Neighbors just try to stay the hell out of the way. Even the abused parties have their own tortured rationales for staying in harm's way. Where Oldman really excels is in placing his harrowing material in contexts that illuminate and, to some degree, explain it. Ambient lighting, hand-held cameras, and omnidirectional mikes mirror the crude immediacy associated with John Cassavetes' films (Husbands is an especially clear reference point). Lo-fi music booms constantly in the background and characters talk over each other in barely comprehensible slurring riffs that feature the f-word as noun, verb, and adjective -- often in the same sentences. (Fair warning: American audiences are likely to find a good half of the heavily accented dialogue so indecipherable that subtitles would be well in order.) The characters' immersion in this world of mindless, ultimately numbing sensory stimulation goes a long way toward helping us understand their emotional debilitation. The simplest, highest tribute is due to the performances of Burke, Winstone, and Morse (who plays Val's mother): We know these people and can vouch for the authenticity of every miserable, muddleheaded word and deed. The only reservation I have in recommending this film is the ultimate question of what value there is in this kind of naked, unmediated portrayal of such wretched situations. What Oldman has done is to open a window onto scenes we know are taking place everywhere, all the time. Why -- and if -- we choose to look is a personal call for every viewer.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for almost 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

READ MORE
More Gary Oldman
Happy Birthday, Sid Vicious!
Happy Birthday, Sid Vicious!
Sid Vicious: still dead

Marc Savlov, May 10, 2012

More Ray Winstone Films
Black Widow
What happened in Budapest no longer stays in Budapest as Marvel learns spycraft

Richard Whittaker, July 9, 2021

Point Break
Remake of 1991's action bromance

Marjorie Baumgarten, Jan. 1, 2016

More by Russell Smith
Juwanna Mann

June 28, 2002

Wrong Numbers

June 7, 2002

KEYWORDS FOR THIS FILM

Nil by Mouth, Gary Oldman, Ray Winstone, Kathy Burke, Laila Morse, Charlie Creed-Miles

MORE IN THE ARCHIVES
NEWSLETTERS
One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Can't keep up with happenings around town? We can help.

Austin's queerest news and events

Eric Goodman's Austin FC column, other soccer news

Information is power. Support the free press, so we can support Austin.   Support the Chronicle