1997, R, 105 min. Directed by Kevin Smith. Starring Ben Affleck, Joey Lauren Adams, Jason Lee, Dwight Ewell, Jason Mewes.
REVIEWED By Marc Savlov, Fri., April 18, 1997
This third film in Smith's “New Jersey trilogy” is a departure: Not only is it hip, clever, and outrageous (Smith hallmarks), it's also a decidedly adult take on dating and love in the Nineties. Who would have thought the director of the often juvenile, twentysomething comedy Clerks and the bloated Mallrats would have it in him? Obviously, he does. Affleck plays Holden McNeil, a young comic book artist who produces the award-winning Bluntman & Chronic book with his partner and best friend Banky (Lee). While attending a comic book convention, Holden meets fellow cartoonist Alyssa Jones, a stunning blonde beauty with sly wit and legs to match. Holden, his testosterone in an uproar, falls big-time and begins courting Alyssa, only to discover she's not interested: She's a lesbian. The unexpected news hits hard, but the two find they have more in common than they originally thought, and the beginnings of a powerful friendship commence. On top of that, Alyssa finds herself reciprocating her admirer's advances, until one night, quite unexpectedly, the pair consummate their wobbly love affair, and all hell proceeds to break loose. Alyssa's friends are shocked and dismayed to find one of their own “going over to the other side,” while Banky -- Holden's best friend since time immemorial -- is frustrated by the possibility of losing Holden to someone else, especially a “scheming dyke.” It's not all hearts and flowers, though; Chasing Amy sizzles with Smith's hilarious dialogue, much of which comes in the form of rants from Hooper (Ewell), a gay African-American comic book artist and pal of Holden's who pretends to be a militant straight man for the benefit of the public. And then there's the Smith's old standbys, the trench-coated Jay (Mewes) and Silent Bob (Smith, not so silent here), a sort of Greek chorus on weed. This is Smith at his best, with a brilliant cast, script, and crew. Some have already taken offense at his decidedly non-PC take on relationships, but so much of what he has to say here -- and he says a lot -- rings true that those arguments are utterly beside the point. More emotionally complex than even I had thought possible, Chasing Amy is the sound of burgeoning genius on the fast track to maturity. “Snootchie-bootchies,” indeed.