Stonewall

1995, R, 98 min. Directed by Nigel Finch. Starring Frederick Weller, Guillermo Diaz, Brendan Corbalis, Duane Boutte, Bruce Macvittie.

REVIEWED By Steve Davis, Fri., Sept. 20, 1996

Who knew that a riot led by drag queens outside a nondescript Greenwich Village bar called the Stonewall over 25 years ago would be mythologized as the birth of the American gay political movement, remembered as the drop of a high heel heard 'round the world? All romanticized notions aside about its place in history, the Stonewall riot marked the rare instance -- if not the first time -- that gays fought back in response to the humiliating treatment inflicted under the color of law. Stonewall attempts to compress the sociocultural context in which this seminal event occurred into a two-hour running time; it succeeds, for the most part, in its objective. It accurately portrays the apolitical black and Hispanic drag queens as unwitting revolutionaries who simply refused to take more abuse; it effectively depicts the benign nature of homosexual organizations such as the Mattachine Society, which sought acceptance in the straight world through nonconfrontational means. (Given the historical information imparted here, it's no wonder that the Austin Gay & Lesbian International Film Festival recently honored Stonewall with its Festival Mission award.) Unfortunately, this ambitious film is a little disjointed and diffuse, no doubt due to its ambitious scope; even its Greek chorus of doo-wop cross-dressers, lip-synching Sixties girl-group songs intended to link the film's narrative threads, can't bring it all together. What's more, the protagonist -- the likeable Matty Dean, a country boy with a radical bent this side of ACT UP -- is somewhat anachronistic, seemingly meant more to represent a contemporary perspective of today rather than a character of the time. (The fact that he has the courage to finally acknowledge his love for a man who dresses as a woman, rather than take the safer route of a “whitebread” boyfriend, is free of contrivance, largely thanks to Weller's performance as Matty and Diaz's turn as his lover.) All of this is not to say that Stonewall isn't worth seeing, particularly for those who have inherited the legacy of that balmy June night in 1969. For them, it's a history lesson worth learning.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for almost 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

READ MORE
More Stonewall
Sparking a Glamour Riot at the Capitol
Sparking a Glamour Riot at the Capitol
Peter Rapp brings living memory to Austin Pride's Stonewall event

David Estlund, June 26, 2014

More Frederick Weller Films
The Business of Strangers
Middle-aged executive Julie Styron (Channing) takes a limo to her business pitch, sporting Prada and pumps and firing off edgy retorts on her cell. Her ...

Marrit Ingman, Jan. 18, 2002

More by Steve Davis
Moffie
Brutality and sexual awakening in Apartheid-era South Africa

April 9, 2021

F.T.A
The suppressed anti-Vietnam war cabaret finally hits the spotlight

March 12, 2021

KEYWORDS FOR THIS FILM

Stonewall, Nigel Finch, Frederick Weller, Guillermo Diaz, Brendan Corbalis, Duane Boutte, Bruce Macvittie

MORE IN THE ARCHIVES
NEWSLETTERS
One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Can't keep up with happenings around town? We can help.

Austin's queerest news and events

New recipes and food news delivered Mondays

Eric Goodman's Austin FC column, other soccer news

Information is power. Support the free press, so we can support Austin.   Support the Chronicle