Time Will Tell

1992 Directed by Declan Lowney.

REVIEWED By Kathleen Maher, Fri., Sept. 11, 1992

It's kind of hard to figure out who the filmmakers are targeting with this film about musician/saint Bob Marley. Not a biography, not a rockumentary, Time Will Tell is subtitled “A Celebration of the Life and Music of a Legend.” To the hardcore reggae fan, little explanation of Marley's roots in music or in Trenchtown, Jamaica is needed and all the footage spent on live performance at the expense of information is just a plus. However, even to the well-informed average fan, more background would be welcome. The film goes for large subject headings, grouping song titles under aspects of Marley's personal and Rastafarian beliefs,“War,” “Would You Be Love,” “Revolution,” for example. The early years are lumped primarily under “One Cup of Coffee.” There are times when performances, trapped in the confines of a movie theatre, seem to go on too long but as the film gathers steam and focus these moments occur less and less until Time Will Tell reveals itself as a film with a very powerful emotional pull. There really should be more footage of Jamaica itself to express the force that has come out of that country to combine and intermingle with other musics and other philosophies to unite Third World people. However, many of the performances convey the feeling of Jamaica, and early, general footage of guerilla record production, records being hand-stamped practically in back yards gets the idea across that people can quite literally, make their own music. But the focus of Time Will Tell is primarily Marley's emergence as an international star carrying the message of reggae, self-determination for all people, Rastafarianism and personal freedom. Marley says what he has to say in interviews and in his music. Quite a bit is also said in shots of Marley's funeral in 1981. He's been dead now 10 years, and as we look back at that decade of greed for Americans and brutal suppression for third world people, it does seem like a decade with no place for the likes of Bob Marley. However, not much time is devoted to mourning, instead, the final footage of Time Will Tell is of “Get Up Stand Up” and the message is clearly, “don't give up the fight.”

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for almost 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

READ MORE
More Declan Lowney Films
Alan Partridge
Steve Coogan’s comical egomaniac Alan Partridge jumps from British television to the movie screen – with all of his smarm intact.

Josh Kupecki, April 25, 2014

More by Kathleen Maher
Incident at Oglala
British filmmaker Apted makes a carefully reasoned, yet passionate statement about the legal system that has ensnared American Indian Movement activist Leonard Peltier.

July 10, 1992

Titicut Follies
Wiseman filmed conditions in the Bridgeport Mental Hospital with a bare minimum of crew and equipment, which resulted in a devastatingly candid view of life behind the high walls of a state mental hospital for the criminally insane.

July 10, 1992

KEYWORDS FOR THIS FILM

Time Will Tell, Declan Lowney

MORE IN THE ARCHIVES
NEWSLETTERS
One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Can't keep up with happenings around town? We can help.

Austin's queerest news and events

Updates for SXSW 2019

All questions answered (satisfaction not guaranteed)

Information is power. Support the free press, so we can support Austin.   Support the Chronicle