The West That Never Was

I first saw Dana Younger’s art at the Blue Genie Bazaar, and even those smaller pieces were enough to make me a forever fan. His sculptures were realistic with slight exaggerations to capture interest, bits and pieces of humans and nature etched in wood and bronze. When placed alongside the popping portrait paintings of partner Felice House, their work becomes even more powerful. House plays with feminist rewritings of history, showing glowing cowgirls and vibrant desert settings, settings where Younger’s comedic cowboys and stately cacti comfortably dwell. A West that never was, but is intensely alluring. – Cat McCarrey