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Theatre for Thu., Feb. 22
OPENING
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    Theatre

    Cirque du Soleil: CRYSTAL

    When you Google this upcoming show, under “People also ask” is the question “What is so special about Cirque du Soleil?” My proposed answer: In CRYSTAL, these incredible performers of the circus arts will be twisting, flipping, twirling, and flying through the air above solid freakin’ ice! And not only will they be above the ice: You’ll find a tapestry of synchronized, freestyle, and extreme skating performed across the frozen tundra of the H-E-B Center as well. Now that’s pretty damn special. – James Scott
    Thursdays-Sundays. Through Feb. 25
ONGOING
  • Arts

    Theatre

    Always a Boy

    Author of Never a Girl, Always a Boy and subsequent co-playwright of its stage adaptation Jo Ivester hopes the play written alongside her son Jeremy serves to “contribute to the growing awareness of what it means to be Trans.” After an industry presentation in NYC with Tony-Award winning A Strange Loop producer JJ Maley directing, this personal transition story comes home for its world premiere at Ground Floor featuring director Lisa Scheps and performers Laura Leo Kelly, Kaden Ono, Molly Fonseca, Nathan Jerkins, Max Green, Chelsea Corwin, Trace Turner, and Jeremy.– James Scott
    Thursdays-Sundays. Through March 1
  • Arts

    Theatre

    Natasha, Pierre, and the Great Comet of 1812

    You’re a busy guy; you don’t have time to read all of War and Peace. But you’re also ashamed that you’ve not dug into the hottest Russian novel of 1869! Hark: A solution awaits at the Zach Theatre production of Natasha, Pierre & the Great Comet of 1812, Dave Malloy’s musical adaptation of a 70-page section of Tolstoy’s great tome. Described by the theatre as an “innovative electro-pop opera,” this two-hour-and-thirty-minute love triangle will be available as pay-what-you-will until Feb. 4. Heads-up to queers: Thursday, Feb. 1, is PRIDE night!– James Scott
    Jan. 30-March 3. Wed.-Sat., 7:30pm; Sun., 2:30pm. $25.  
  • Arts

    Theatre

    O. Henry Stories

    “The Bard is just the beginning,” promise the irrepressible thespians of Austin Shakespeare; and now here they are, making good on their word with a play that showcases classic short works by Austin’s own William Sydney Porter – you know: O. Henry – to bring audiences at the Long Center’s Rollins Theatre an early-20th-century good time with “The Gift of the Magi,” “The Pimienta Pancakes,” “The Ransom of Red Chief,” and more. Bonus: Music and dance enhance the talented talespinning, and there are talkbacks with the director and cast after every show.: – Wayne Alan Brenner
    Thursdays-Sundays. Through Feb. 25
  • Arts

    Visual Arts

    “Unstill Life”

    One of the most innovative dance companies ever to move through Austin’s performative spaces, BLiPSWiTCH joyously invades Austin’s historic Wolf House for the premiere of “Unstill Life,” wherein 14 dancers take over six rooms in that house, with each room embodying a specific point in time – “often through satire, occasionally with gravity, sometimes interrogating, but always exploring and never taking ourselves too seriously.” Experience an immersive, unforgettable night of movement evoking the past as this fierce troupe brings the choreographies of Taryn Lavery and Alex Miller to full kinetic power. – Wayne Alan Brenner
    Through Feb. 24
    Wolf House, 1604 E. Cesar Chavez St.

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