SXSW Film Review: Potato Dreams of America

Immigrant drama sings a song of finding your own voice

SXSW 2021 Narrative Feature Competition selection Potato Dreams of America

From the very start of Potato Dreams of America, an autobiographical film from writer/director Wes Hurley, the titular Potato understands how to frame a story.

While watching a black-and-white TV set with his grandma Tamara (Lea DeLaria), Potato forms his fingers into a rectangle to peer through – first at his father beating his mother and then, drifting, at the television screen. He reimagines his parents’ domestic violence as a celluloid dance, rough but staged, and all in clean maneuvers unlike the fight happening in reality.

Scenes of Potato as a youth (Hersh Powers/Tyler Bocock) in mid-Eighties’ USSR are painted with vibrant, broad brushstrokes. Each scene has a stage-play affect, as though at any moment you might see figures in all black run in to rearrange the sets. These are memories, and so thrum with emotion rather than strict realism. Another striking element are the accents of Potato and his mother, Lena (Sera Barbieri/Marya Sea Kaminski). While still in their home country, they speak with American tones – not unlike those movies they’ve been getting off a renegade TV signal – but, when they are able to move to America in the second half of the film, both characters’ voices are shaded in Russian. It is a trait that haunts Potato’s teenage, and later adult, life – bombarded demands that he perform his Russianness when he’d much rather toss it away.

The adults in America want Potato to be inside specific frames as well. From a teacher who rebukes his attempts at assimilation (memorably saying that she doesn’t think of America as a melting pot, rather it’s a tossed salad) to the Lena’s new American spouse, a restrictive overbearing religious type who initially tries to foist an extreme repression onto Potato before revealing, thanks to Lena and Potato’s accepting relationship, that this reaction was due to internalized transphobia.

In the four walls of a screen, the limits of four fingers held in a rectangle, not every piece can come through. For that reason, the dream in Potato Dreams of America remains more fantastical, dramatic, than rooted in reality. Such fantasy is part of what makes the film such a good watch, as well as an emotional one. Whatever is outside that frame can wait – for a short time, it is enough to live within the narrative we’re given.


Potato Dreams of America

Narrative Feature Competition

World Premiere

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for almost 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

READ MORE
South By Southwest Has a New Investor
South By Southwest Has a New Investor
With 50% ownership in SXSW LLC, P-MRC provides “lifeline”

Kevin Curtin, April 18, 2021

SXSW Film Review: <i>When Claude Got Shot</i>
SXSW Film Review: When Claude Got Shot
Documentary goes beyond the headlines of Black-on-Black crime

Shane Pfender, April 7, 2021

More by James Scott
What'cha Watchin'?
What'cha Watchin'?
Proofreader James Scott gets a little therapy from everyone's favorite radio shrink

May 7, 2021

Digging Into Queer History in <i>Cured</i>
Digging Into Queer History in Cured
Doc explores fight to de-list homosexuality as mental illness

April 21, 2021

KEYWORDS FOR THIS POST

SXSW 2021, SXSW Film 2021, Potato Dreams of America, Wes Hurley, Lea DeLaria

MORE IN THE ARCHIVES
NEWSLETTERS
One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Can't keep up with happenings around town? We can help.

Austin's queerest news and events

New recipes and food news delivered Mondays

Eric Goodman's Austin FC column, other soccer news

Information is power. Support the free press, so we can support Austin.   Support the Chronicle