SXSW Film Review: If I Leave Here Tomorrow: A Film About Lynyrd Skynyrd

The highs and lows of one of the most iconic Southern rock bands

Once upon a time the choice for Gary Rossington and his Lynyrd Skynyrd bandmates was between cocaine, speed, and booze. Tonight Skittles and Twizzlers are vying for his attention as he watches the world premiere of a documentary about perhaps the most iconic of all Southern rock bands. (Twizzlers won.)

Director Stephen Kijak, with previous docs on the Rolling Stones and the Backstreet Boys, knows to let the music tell much of the story. Using grainy vintage footage and scratchy photos he brings the ghosts of the band back to life, revealing them as hardworking rednecks from Jacksonville, Fla., who loved to fish and have fun.

There are small revelations here: The band, then known as One Percent, got a new name from Leonard Skinner in the Allan Sherman comedy song "Hello Muddah, Hello Faddah" followed by encounters with a hard-nosed high school coach with the same name. The secret to the band's success? Hard work from morning to night in the "Hell House," a rehearsal shack on the edge of a mosquito-infested swamp. Combine that with gigs at any Florida honky-tonk that would take them. Later they expanded into "Sweet Home" Alabama.

Al Kooper discovered the band fully formed and so fully practiced that laying down tracks for their first two records was automatic. But the second act of Lynyrd Skynyrd had the band on the road drinking, drugging, womanizing, trashing hotel rooms, and generally setting the standard for rock star excess. Their third album was largely written on the spot in the recording studio.

The tragic thread running through the doc is the plane crash that took the lives of band and crew members including Ronnie Van Zant, the group's frontman and driving force. The doc is a joy for anyone who has ever yelled, "Play 'Free Bird!'"

If I Leave Here Tomorrow: A Film About Lynyrd Skynyrd

Documentary Feature, World Premiere
Tuesday, March 13, 8:45pm, Stateside Theatre
Wednesday, March 14, 12:30pm, Paramount Theatre
Saturday, March 17, 1:45pm, Alamo Ritz 1

Keep up with all our SXSW coverage at

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 36 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

John Krasinski and Emily Blunt on Their New Horror <i>A Quiet Place</i>
Visiting A Quiet Place
The filmmaking power couple on fighting monsters and real intimacy

Richard Whittaker, April 6, 2018

SXSW Film Review: <i>Upgrade</i>
Review: Upgrade
Cyberpunk action thriller has a few hidden features

Richard Whittaker, March 19, 2018

More by Joe O'Connell
UT Professor on the Making of Texas Film Epic <i>Giant</i>
UT Professor on the Making of Texas Film Epic Giant
Don Graham's Giant: Elizabeth Taylor, Rock Hudson, James Dean, Edna Ferber, and the Making of a Legendary American Film

April 13, 2018

SXSW Film Review: <i>The World Before Your Feet</I>
Review: The World Before Your Feet
The art of walking … and doing little else

March 13, 2018


SXSW Film 2018, Stephen Kijack, If I Leave Here Tomorrow: A Film About Lynyrd Skynyrd

One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Can't keep up with happenings around town? We can help.

Austin's queerest news and events

Updates for SXSW 2019

All questions answered (satisfaction not guaranteed)

Information is power. Support the free press, so we can support Austin.   Support the Chronicle