SXSW Music Live: The Roots & Friends

“This is the best shit of the whole South By!”

On a stacked SXSW Saturday night billed as the Roots & Friends, a seemingly endless array of artists graced the stage of a 450-capacity shotgun venue. This meant that for every one ecstatic fan that made it into the Bud Light-sponsored revue, another five were left on the outside looking in, many of whom had waited in line for hours.

If the goal was to manufacture a sense of exclusivity, mission accomplished.

Those lucky enough to be in the building were treated to an epic tour de force, with hip-hop’s best live band holding court for nearly four hours. They backed a parade of all-star guests, but the Roots don’t exactly need help. The Philly juggernaut has been one of the most consistent forces in music over the past quarter-century, dropping 11 studio albums in 24 years before morphing into America’s house band on Late Night With Jimmy Fallon.

Quietly consistent for so long, Black Thought remains one of the illest MCs of all-time.

Black Thought (Photo by David Brendan Hall)

Captain Kirk Douglas (Photo by David Brendan Hall)

Questlove (Photo by David Brendan Hall)

Throughout the night, the band dropped highlights from Illadelph Halflife (“Section”) and Things Fall Apart (“Act Too [Love of My Life]” “You Got Me”), freaked the heavy funk of Bobby Byrd’s “I Know You Got Soul,” and paid tribute to Chuck Berry – who died earlier in the day – with a rocking cover of “Johnny B Goode” that ended with a face-melting psychedelic solo from guitarist Captain Kirk Douglas. Questlove backboned all of it, keeping time on an elevated drum kit at the back of the stage, his iconic Afro its highest point.

The billing promised performances from Jidenna, Shakey Graves, Redman and Method Man, but that only proved the tip of the iceberg. The first surprise came from Rae Sremmurd. The young Mississippi brothers bigged up bad bitches on “No Type” and declared themselves the “Black Beatles.” A mash-up of the Roots’ “Stay Cool” and De La Soul’s “Ego Trippin’ (Part Two)” found Black Thought trading verses with the suddenly materialized Maseo and Posdnuos, followed by “The Bizness,” an early hint as to how bonkers this night would get.

Jidenna (Photo by David Brendan Hall)

Dandy Janelle Monae protégé and festival breakout Jidenna is a next-level showman. Sporting a sleek, two-piece Nigerian suit, the “Classic Man” cruised through his swanky smash hit, dropped whip-smart bars on “Long Live the Chief,” and crooned on the regret-filled neo-doo-wop of “Bambi.”

“It’s a dream for me to be onstage with the gentlemen behind me right here,” he gushed. “This is one of the greatest nights of my life, easily.”

Shakey Graves (Photo by David Brendan Hall)

Austin singer-songwriter Shakey Graves took the stage well aware of his sore thumb status.

“I’m so confused right now,” he marveled. “Is this a dream?”

While it made for a bit of an abrupt transition to Atlanta trap titan T.I., the inclusion of local talent offered a welcome touch and led to an utterance heretofore never spoken: “Y’all ready for a country-themed waltz with the Roots?”

T.I. (left) (Photo by David Brendan Hall)

Brandy (Photo by David Brendan Hall)

When king of the South T.I. bounded onstage to Bankhead bangers “About That” and “Bring Em Out” – crunk anthems perfectly suited for a 10-piece horn-laden big band – the room shook. That set the scene for the biggest surprise of the night, a five-song set from R&B megastar Brandy, who took it back to the Nineties with “Top of the World” and “The Boy Is Mine.” After beaming through 1992 hit “I Wanna Be Down,” the diva genuinely looked to be having the time of her life.

“I haven’t done that for a long time,” she quipped.

Method Man and Redman (Photo by David Brendan Hall)

The set closed with blunted besties Method Man and Redman trading bars and bouncing all over the stage. They ripped through “How High,” “Da Rockwilder,” and “Method Man” like hits from a bong. When Black Thought jumped on “4,3,2,1,” it was a Nineties hip-hop head’s wet dream.

“Thank y’all for coming out to the second annual Roots jam,” Black Thought closed, indicating this wouldn’t be the last. “This is the best shit of the whole South By!”

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

Spoon's <i>Hot Thoughts</i> Remodels the Locals' Art-Funk
Spoon's Hot Thoughts Remodels the Locals' Art-Funk
Britt Daniel and Jim Eno talk about the rise of R&B in the band's sound

Tim Stegall, June 2, 2017

Playback – SXSW Recap: Love, Hate, Garth & Trump
Playback – SXSW Recap: Love, Hate, Garth & Trump
Final love / hate SXSW listicles

Kevin Curtin, March 24, 2017

More by Thomas Fawcett
Dispatches From a New Decade of SXSW
Dispatches From a New Decade of SXSW
Our favorite musical moments from the fest

March 25, 2022

The Best Music We Saw at SXSW on Friday
The Best Music We Saw at SXSW on Friday
Seventies funk GOATs, queer nu metal, and so much more

March 19, 2022


The Roots, SXSW, SXSW Music 2017, Shakey Graves, Rae Sremmurd, Method Man, Redman, Jidenna, Brandy, T.I., De La Soul

One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Keep up with happenings around town

Kevin Curtin's bimonthly cannabis musings

Austin's queerest news and events

Eric Goodman's Austin FC column, other soccer news

Information is power. Support the free press, so we can support Austin.   Support the Chronicle