SXSW Music: Japan Nite

Mainstay conference showcase delivers yet again

Always remember the fine print on every gig poster ever: “Lineup may change.”

It was a rocky start to the 21st iteration of one of SXSW’s most beloved showcases, and a big disappointment for anyone expecting Atomic Stooges’ greasy grebo rock. The news at the door was that they were in Denver with visa issues, which sucked for them.

Panaquonpe (Photo by John Anderson)

Fortunately, unreconstructed and chirpy club DJ duo Panaquonpe spun up, with perfect mismatched glee equaled only by their sartorial dissonance: band shirt and cargo shorts vs. charmingly dissolute white suit with a single red rose.

Ed Woods (Photo by Richard Whittaker)

In fact, throw the schedule out the window: Dexstring was a no-show as well, so maniac trash rockers Ed Woods violated the stage in all their greased-up, psychobilly, ketchup-and-mustard-spraying glory. A 20-minute micro set by the bass/upright bass/guitar/drums quartet slammed through partial male nudity, multiple layers of Underoos, and a kickass rendition of Roky Erickson’s “I Walked With a Zombie.”

[Alexandros] made for a third unexpected addition thereafter. Standing in for art-rockers Kao=s, their Hawthorne Heights-esque emo pop proved there’s still life in that unfairly kicked dog of a genre. Cutting in with their own cover, a sliver of Metallica’s “Master of Puppets,” they were a melodic screamo drive-by.

Japanese superstar Yoshiki (Photo by Richard Whittaker)

And then there was the mystery special guest, a big enough name that club management and security scuttled fast and held frantic conversations. When a string quartet arrived, the cat was out of the bag.

With that, Yoshiki, drummer of X Japan-turned-classical pianist (and subject of SXSW Film doc We are X, which screened mere hours earlier at the Paramount) swept in wearing a flowing white coat and rock-star shades. Some bands couldn’t make it, he said.

“So I’m here as filler.”

Some filler. Imagine Slayer ex Dave Lombardo showing up for an impromptu piano recital. A sweeping rendition of X’s “Endless Rain” was greeted with an appropriately stadium-size roar. He reciprocated with a promise to return with the full X.

Japan Nite delivered yet again.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for almost 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

Playback: Biggest Austin Music Stories of 2016
Playback: Biggest Austin Music Stories of 2016
Looking back on the biggest Music news headlines of the year

Kevin Curtin, Dec. 23, 2016

Playback: Welcome to Terrordome: Sixth Street During SXSW
Playback: Welcome to Terrordome: Sixth Street During SXSW
Appraising APD's solution to Sixth Street during SXSW

Kevin Curtin, April 8, 2016

More by Richard Whittaker
Fantastic Fest Review: <i>Woodlands Dark and Days Bewitched: A History of Folk Horror</i>
Fantastic Fest Review: Woodlands Dark and Days Bewitched: A History of Folk Horror
Encyclopedic and engrossing wander into the wilderness

Sept. 28, 2021

Fantastic Fest Review: <i>Glasshouse</i>
Fantastic Fest Review: Glasshouse
South African pandemic horror is really about tradition and stories

Sept. 27, 2021


SXSW, SXSW Music 2016, Panaquonpe, Atomic Stooges, Yoshiki, Ed Woods, [Alexandros], Japan Nite, X Japan

One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Can't keep up with happenings around town? We can help.

Austin's queerest news and events

New recipes and food news delivered Mondays

Eric Goodman's Austin FC column, other soccer news

Information is power. Support the free press, so we can support Austin.   Support the Chronicle