Daily Screens
SXSW Film Review: Social Animals
Social Animals director Jonathan Ignatius Green's 14-year-old isn't on social media. Let that sink in, parents, as you delve into this tale of Instagram gone wrong and semi-right.

12:34PM Mon. Mar. 12, Joe O'Connell Read More | Comment »

SXSW Film Review: Fast Color
Gugu Mbatha-Raw is a powerhouse – a stunning actress who should be a household name at this point due to her magnificent work in Belle, Beyond the Lights, and Black Mirror’s buzziest episode, “San Junipero.” Her presence is commanding, and in Julia Hart’s arthouse superhero film Fast Color she’s a beacon to behold.

12:10PM Mon. Mar. 12, Jenny Nulf Read More | Comment »

SXSW Film Review: Wild Nights With Emily
Director Madeleine Olnek’s portrayal of the life of Emily Dickinson in Wild Nights With Emily comedically deflates portrayals of the poet as a tortured recluse and delivers an earnest perspective into her life as an eclectic, misunderstood poet.

11:56AM Mon. Mar. 12, Tinu Thomas Read More | Comment »

SXSW Panel Recap: Spike Lee Master Class
Taking a bizarre turn for a "master class" with legendary writer/director Spike Lee, what was billed as an educative experience shifted into more (and less) than advertised, for good, bad, and the hilarious.

11:43AM Mon. Mar. 12, Kahron Spearman Read More | Comment »

SXSW Film Review: Daughters of the Sexual Revolution
White hotpants. Sparkly blue halter tops. Vinyl go-go boots. All originate with Suzanne Mitchell, director and sometimes controversial “den mother” of the Dallas Cowboys Cheerleaders from 1976 through 1989, and primary focus of Daughters of the Sexual Revolution: The Untold Story of the Dallas Cowboys Cheerleaders.

9:19AM Mon. Mar. 12, Beth Sullivan Read More | Comment »

SXSW Film Review: Profile
No one can say that Timur Bekmambetov is afraid to try new things. Over the past few years, he served as producer on two movies – Hardcore Henry and Unfriended – that unfold entirely through a first-person perspective. Now, with Profile, Bekmambetov himself steps behind the camera.

9:00AM Mon. Mar. 12, Matthew Monagle Read More | Comment »

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SXSW Film Review: Lean on Pete
The plot of director Andrew Haigh’s newest melancholy tale sounds, on the face of it, cut from pure cheese. Don’t be fooled. Lean on Pete is a marvel of neo-realistic filmmaking, a trenchant and melancholy portrait of a 15-year-old boy seemingly destined to get the wrong end of the stick almost every time.

8:52AM Mon. Mar. 12, Marc Savlov Read More | Comment »

SXSW Film Review: Galveston
A hitman and a sex worker on the run walk into a bar ... What happens next? Mélanie Laurent says revenge.

8:00AM Mon. Mar. 12, Mae Hamilton Read More | Comment »

SXSW Panel: Barry Jenkins Keynote
Barry Jenkins delivered a keynote address at SXSW Sunday, a decade after his first feature film, Medicine for Melancholy, debuted at the festival. His first outing at SXSW was spent hustling to get his film seen, but now he was squarely in the spotlight.

9:41PM Sun. Mar. 11, Austin Sanders Read More | Comment »

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