Fantastic Fest 2015: Yakuza Apocalypse

Miike’s vampiric gangster film features gore and Keroppi

When it comes to weird-ass, batshit-crazy showstoppers, there’s prolific Japanese auteur Takashi Miike and very few others.

Yakuza Apocalypse (Photo Courtesy of Fantastic Fest)

Miike has made a career out of messing with audience’s heads (Happiness of the Katakuris, anyone?) thus creating a love him/hate him divide. His plots tend to overflow with half-baked ideas and seemingly random chaos that eventually, surprisingly coalesce into a beautifully bloody mess that somehow makes perfect sense. If you’re not familiar with Japan’s most lunatic filmmaker, Yakuza Apocalypse is a perfect introduction to Takashi Miike and the methods of his madness.

Hayato Ichihara is fledgling Yakuza member Kageyama, a bottom-rung thug who nevertheless outfits himself in snappy business attire and lives to die for his beloved boss Kamiura (Lily Franky). A sensitive killer, Kageyama wears none of the traditional Yakuza tattoos that decorate the skins of his more mangy brethren. That all changes when another Yakuza gang arrives in town and kills Kamiura. But wait! The boss turns out to be a vampire, and before he perishes he bites Kageyama, turning him into a vamp, too. “Stay foolish,” the dying Kamiura advises his ambitious underling, and that’s just in the film’s first ten minutes. Eventually, nearly the whole population goes vampiric, leading to – among a whole lot of other, ever more bizarre setpieces – the arrival of a frog-headed demon, a duster-enshrouded stranger toting a tiny coffin on his back (Django!), and a Godzilla-sized, bargain-basement version of Sanrio’s furry, amphibious Keroppi.

Javanese kicker-of-asses Yayan Ruhian (The Raid films) shows up as an anime-besotted maniac, and the rest of the cast go fittingly foolish right along with him. If there’s any complaint to be made, it’s that Miike paints himself into a gore-drenched corner by the time the film approaches its pièce de résistance. Not that that’s a problem, though. The director’s wilder films unspool like the stream-of-consciousness imaginings of a hilariously deranged mind. There’s more to Yakuza Apocalypse than just oddball-brilliant spaghetti Western riffs and gangster eviscerations. It’s also a sneaky, snarky commentary on Japan’s seemingly infinite financial recession. Big boss vampire is adored by his townspeople because he gives them hard cash to survive hard times. Nevermind that he’s also got a group of locals locked away down in his basement, curiously knitting their days away – no, really, they’re fucking knitting! – even as they’re being used as “feed” for the bloodsuckers upstairs. Yakuza Apocalypse is Miike at the top of his game, breaking cinematic rules at every chance while crafting seriously subversive cinema that defangs both the real-world Yakuza, the Japanese government, and, heaven help us, Sanrio, too. Knitting I tell you! Knitting!


Yakuza Apocalypse screens again Wednesday, Sept. 30, 11:30pm.

For more Fantastic Fest news, reviews, and interviews, follow all our updates at www.austinchronicle.com/fantastic-fest.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 36 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

READ MORE
More Fantastic Fest 2015
Richard Jenkins Wields a <i>Bone Tomahawk</i>
Richard Jenkins Wields a Bone Tomahawk
Old Western horror with the Six Feet Under star

Richard Whittaker, Oct. 23, 2015

Fantastic Fest 2015: <i>The Devil's Candy</i>
Fantastic Fest 2015: The Devil's Candy
Heavy metal against Satan in Austin-filmed horror

Richard Whittaker, Oct. 7, 2015

More by Marc Savlov
Glass
M. Night Shyamalan's meta-comic trilogy crashes into Earth with a dull splat

Jan. 18, 2019

Second Act
Lean In meets The Secret of My Success in workplace rom-com

Jan. 4, 2019

KEYWORDS FOR THIS POST

Fantastic Fest 2015, Yakuza Apocalypse, Takashi Miike

MORE IN THE ARCHIVES
NEWSLETTERS
One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Can't keep up with happenings around town? We can help.

Austin's queerest news and events

Updates for SXSW 2019

All questions answered (satisfaction not guaranteed)

Information is power. Support the free press, so we can support Austin.   Support the Chronicle