Remembering Harris Savides

Frequent DP of Fincher, Van Sant dies at 55

Harris Savides on the set of Sofia Coppola's 2011 film 'Somewhere'
Harris Savides on the set of Sofia Coppola's 2011 film 'Somewhere'

Too often the creative contributions of a cinematographer are misattributed to the director. But if you look at the CV of Harris Savides, one thing unites the disparate films, and that is a sensory acuity that didn’t simply service the narrative, but made it more immediate, more tactile.

Think of the awful, aching isolation of Gerry or the warmly lit domestic idylls of Milk: Movies a mile apart in terms of content and tone, but we were brought nearer to the subject by way of Savides’ photography.

Consider also: Somewhere. Zodiac. Birth. I was so mesmerized by the dust motes dancing in Greenberg I could've written a sonnet (instead they got a crummy not-even-haiku – again, the plight of the cinematographer). If you look back on our reviews, more often than not Savides’ contributions – malleable, ever-evocative – were given special notice. In rarer cases, Savides’ touch was the only thing notable about a particular picture, but not that often: That’s because he was sought after by the industry’s most singular talents – Gus Van Sant, David Fincher, and Sofia Coppola were regular collaborators – and he made them better.

Savides died yesterday from an undisclosed illness. Certainly the art of cinematography has taken a hit, but if you love cinema – period – his absence will be felt.

In August, Savides rifled through the Criterion Collection library and mused on Helmut Newton and Krzysztof Kieslowski, among others. In four short minutes, we enjoyed a direct line into a movie lover’s mindset – an intimate lens into someone most of us only knew through the intimacy of his imagery.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for almost 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

More by Kimberley Jones
We Have an Issue: The Revolution Will Be Embroidered
We Have an Issue: The Revolution Will Be Embroidered
In this week’s cover story, Jessi Cape explores the resistance potential in cross stitch

April 9, 2021

30 New Shows, Returning Series, and Other TV Premieres This April
30 New Shows, Returning Series, and Other TV Premieres This April
Top Chef, crazy love, and sweet potters

April 1, 2021


Harris Savides, Gerry, Milk, Somewhere, Zodiac, cinematography

One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Can't keep up with happenings around town? We can help.

Austin's queerest news and events

New recipes and food news delivered Mondays

Eric Goodman's Austin FC column, other soccer news

Information is power. Support the free press, so we can support Austin.   Support the Chronicle