Restorative Powers

Scorsese nonprofit teams with Mondo & Alamo for film series

Stick around long enough, and decay is inevitable. It's true for humans and for film stock: Half of all films made before 1950 are now lost forever. Preservation and restoration are the clarion calls of Martin Scorsese's nonprofit The Film Foundation; their cinematic saves are the focus of a new film series with Mondo and Alamo Drafthouse.

Kicking off this Monday with Hitchcock's Shadow of a Doubt, the eight-film series will pair restored 35mm prints with original poster art from Mondo. Sneak-peeped here are the art contributions of Jeff Kleinsmith's The Unholy Three, Delicious Design League's Film, and Elvisdead's The Old Dark House; other artists featured in the series include Alan Hynes, Laurent Durieux, Jay Shaw, and the Phantom City Creative.

The series runs Monday nights at the Alamo Ritz. The lineup includes:

May 7: Shadow of a Doubt (1943)
Joseph Cotten plays the suavest serial killer around in the thriller Hitchcock once pegged as his favorite from his filmography.

May 14: The Unholy Three (1925)
This is the original Tod Browning silent, starring Lon Chaney and screening here with a live score by Peter Stopschinski & Graham Reynolds. Also screening that night will be Alan Schneider's “Film” (1965), a silent short starring Buster Keaton and scripted by Samuel Beckett.

May 21: Rashomon (1950)
Kurosawa's international breakthrough is a masterstroke in unreliable narration. (See: "The Rashomon effect")

May 28: King Kong (1933)
"Throw your arms across your eyes and scream … scream for your life!"

June 4: Paths of Glory (1957)
An unflinching look at war and a meditation on what is bravery, this was Stanley Kubrick's first collaboration with future Spartacus Kirk Douglas.

June 11: The Old Dark House (1932)
"Dark house" horror from James Whale and a cast that can't be beat: Boris Karloff, Melvyn Douglas, Charles Laughton, Raymond Massey.

June 18: The Night of the Hunter (1955)
Charles Laughton moved behind the camera, his only whack at it, for this Southern gothic spine chiller. It's a good bookend to Shadow of a Doubt, though Cotten's Uncle Charlie's got nothing on Robert Mitchum's murderous con man with hate in his heart and hard-lettered in ink across his knuckles.

Tickets for series starter Shadow of a Doubt are on sale now; the remaining shows will go on sale soon.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

More Mondo
Mondo First Look at <i>Gravity Falls</i>
Mondo First Look at Gravity Falls
Exclusive peek from the upcoming Disney show

Richard Whittaker, April 25, 2017

MondoCon Heads Downtown
MondoCon Heads Downtown
Pop culture print gathering to occupy Statesman space

Richard Whittaker, April 6, 2017

More by Kimberley Jones
Hit Man
Glen Powell co-wrote this real-life wild tale of a professor who goes undercover as a fake hitman

May 24, 2024

We Have an Issue: <i>Chronicle</i> Earns Six AAN Nominations
We Have an Issue: Chronicle Earns Six AAN Nominations
Finalists announced in reporting, design, marketing categories

May 24, 2024


Film Foundation, Mondo, Alamo Drafthouse, Martin Scorsese, Shadow of a Doubt, The Unholy Three, Rashomon, Paths of Glory, The Old Dark House, Night of the Hunter, Elvisdead, Jay Shaw, Phantom City Creative, Delicious Design League, Jeff Kleinsmith

One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Keep up with happenings around town

Kevin Curtin's bimonthly cannabis musings

Austin's queerest news and events

Eric Goodman's Austin FC column, other soccer news

Information is power. Support the free press, so we can support Austin.   Support the Chronicle