Picture Box Studio
Hellbent for Pleather
When I saw Mistress Stephanie & Her Melodic Cat for the first time last summer at the Chain Drive, it was one of those right place, right time moments. The Mistress, with her jet-black bob and bustier, was Louise Brooks with Norma Desmond’s sense of dark comedy. She ignored, berated, and sung in perfect harmony with Her Melodic Cat, stage left with a guitar, baring ass cheek and wearing a half-interested sneer as their cabaret punk was thrown out with Weimar vitriol. I desperately wanted them to play a cover of the Doors' "Alabama Song (Whiskey Bar)," which is actually a cover of a Kurt Weill song, which is appropriate, as some of the set was in German. And this was at a gay leather bar.