Every seventh day, Country Sunday rolls through my house. Past Ray Wylie Hubbard & the Cowboy Twinkies and “Redneck Mother,” the Oklahoma-born bard isn’t strictly C&W, but like most Texans – his family moved to Dallas suburb Oak Cliff in 1954 – the Lone Star raconteur conjures all such roots-n-blues innately. He rises to the occasion on this Easter Sunday.
Austin Chronicle: Where are you sheltering and under what circumstances? Who else is there and how’s that going?
Ray Wylie Hubbard: Judy and I are hunkered down in Wimberley. We’re doing good. We still have a few nerves left that haven’t been got on. I really can’t think of anyone else I’d rather go though this with than her.
AC: At what point did C-19 shut down operations for you, and what went down with the ship, so to speak, both personally & professionally?
RWH: We got shut down in March when I got back from L.A. Plane was almost empty. Lost Gruene Hall where we were going to video the show for a later release and had studio time booked at the Zone to record the next record. Personally, I haven’t been able to hang with my son and daughter-in-law, and that rascal Kyle Schneider, my drummer. I do miss the live groove.
AC: As a global culture, people employ music for every purpose imaginable, obviously spanning religion to entertainment and everything in between. What happens to communities like ours when people can no longer access it in person – at a show, at Central Market, at SXSW?
RWH: People seem to miss being a part of a live experience that shares the musician’s love of what they themselves love and the community is denied the happening that connects us together through music. Nothing bonds an audience together like when someone in the crowd yells “Freebird.”
AC: Everyone is having to shift or drastically alter their work situation. What does that look like for you?
RWH: Well, I don’t do a lot of co-writes, so that hasn’t changed. I just crawl off somewhere by myself and do it. I have kicked around a few ideas by texting a couple of cats, though.
AC: What’s your soundtrack for the apocalypse and what role does music play for you as a fan and scholar of it in times of hardship?
RWH: Scholar? Wow, thanks. I wish I sounded smarter on the above questions. My soundtrack hasn’t changed as I still pretty much listen to my friends’ records: Hayes, Gurf, Slaid, Tyler Bryant, Larkin Poe, Ronnie Dunn, Pam Tillis, Cadillac 3, McMurtry, and roots blues – Lightnin’, Muddy, Mance.
That’s what I got. Thanks for asking and hope to see you at a gig soon.
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