ACL Live Review: David Byrne

Subconscious free-flow behind primal, percussive rhythms

David Byrne began with a brain.

Photo by David Brendan Hall

Emerging quietly and alone on the massive ACL main stage set up with only a small table and wooden chair, the Talking Head sat down and held up a model of man’s center of intellect: “Here is a region of abundant details. Here is a region that is seldom used.”

Then he launched his Friday afternoon set behind “Here,” closing track to this year’s American Utopia. Byrne, 66, followed with an hourlong dive into the subconscious behind primal, percussive rhythms and his cerebral, almost absurdist lyrics. Even as the band swelled to eight members on “Lazy” and then 12 with “I Zimbra,” the show remained minimal and precise, all instruments strapped to the players as they marched around the stage in free-flow formations.

The 13-song set rested heavily on Talking Heads favorites, revving midway with “This Must Be the Place (Naive Melody)” and “Once in a Lifetime” as the band sweat through their matching gray suits and the funky, stripped-down, New Wave rhythms increasingly entranced behind Byrne’s charmingly awkward vogues. Likewise, the double shot of “Road to Nowhere” and “Burning Down the House” sent the crowd into a dancing frenzy.

Yet Byrne saved his most powerful statement for last – a cover of Janelle Monáe’s “Hell You Talmbout.” The full band shouted a litany of names of African-Americans slain by police, demanding recognition and atonement as Byrne shifted focus from the subconscious to collective conscience.

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KEYWORDS FOR THIS POST

David Byrne, ACL Fest 2018, ACL Music Fest 2018, Talking Heads, Janelle Monae

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