ACL Review: Car Seat Headrest

College rockers eschew Tom Petty for Neil Young

Will Toledo has come a long way from recording in the backseat of his car. The Seattle-based songwriter and his band Car Seat Headrest ascended the indie rock ladder to major festival appearances by, like their peers, drawing on the Eighties. A raucous Saturday afternoon set proved exhibit A.

Photo by David Brendan Hall

While his contemporaries find inspiration in twinkling synths and British arena pop, Toledo draws from a different side of the Reagan/Thatcher era: American college rock. The band’s six-string racket – melodic without being sweet, noisy without being abrasive, straightforward without being boring – would’ve nestled perfectly on Twin/Tone or DB Records if it had arrived in 1986.

Like those labels’ luminaries – the Replacements, Soul Asylum, Austin’s Zeitgeist – CSH doesn’t fool around live, preferring to let quality of song and strength of performance carry the day. Toledo isn’t a particularly exciting frontman. He tends to stand stock still while singing, and didn’t move much when strumming his Telecaster, either.

Yet rather than deficits, the singer-songwriter turns his nearly somnambulant stage presence and droning voice into virtues. By letting guitarist Ethan Ives and drummer Seth Dalby do most of the talking, he became an anchor, and his marble-mouthed monotone revealed an instrument of surprising feeling.

All the better to present CSH’s no-frills rock, from the super-catchy power-pop of “Fill in the Blanks” to the blazing skronk of “1937 State Park,” an audience request. Unlike many of this year’s ACL Fest performers, the band eschewed a Tom Petty cover, opting instead for Neil Young’s stomping “Powderfinger,” sung by Ives.

A seemingly odd choice, but it served as a perfect prelude to “Destroyed by Hippie Powers,” which reveled in Crazy Horse crunch. The group brought the show to a close with the pedal-abusing frenzy of “Beast Monster Thing (Love Isn’t Love Enough),” but even that noise fest couldn’t obscure the fact that, for Car Seat Headrest, the song is king.

Check out our daily ACL coverage with previews, reviews, interviews, photos, and more.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 36 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

More Car Seat Headrest
Sound on Sound Review: Car Seat Headrest
Sound on Sound Review: Car Seat Headrest
Slacker Pavement hooks meet James Murphy’s drollness

Doug Freeman, Nov. 6, 2016

SXSW Music: UO Live in Austin
SXSW Music: UO Live in Austin
Collegiate hipster establishment proffers headliners for hangovers

March 18, 2016

More by Michael Toland
SXSW Music Review: The Veldt
Live Shot: The Veldt
Afro-shoegaze pioneers re-emerge for their closeup

March 17, 2018

SXSW Music Review: Soweto Kinch
Live Shot: Soweto Kinch
UK saxist proves the absence of a band a piece of cake

March 16, 2018


Car Seat Headrest, ACL Fest 2017, Will Toledo, Ethan Ives, Seth Dalby, Tom Petty, Neil Young, Crazy Horse, Replacements, Soul Asylum, Zeitgeist, Twin/Tone Records, dB Records


Information is power. Support the free press, so we can support Austin.   Support the Chronicle