Live Music This Weekend, Aug. 18-20

Soundtracking this weekend’s sweat-fests

Every day this weekend boasts a multi-performer blitzkrieg. Riders Against the Storm brings an arsenal of friends for RAS Day on Friday. Check in with Bone Thugs-n-Harmony and Creed’s Scott Stapp at Bat Fest on Saturday. And Sunday’s the holiest day with the Chronicle’s free Hot Sauce Festival, hosted by yours truly. Hydrate!


RAS Day Festival

Empire Control Room
Fri., Aug. 18, 6pm

Curated by husband/wife hip-hop duo Riders Against the Storm, RAS Day had initially planned to expand to two days in its fourth year, but now distills into a single night a DIY endeavor that’s rightfully earned comparisons to Brooklyn’s Afropunk Festival. The stacked bill features NOLA R&B keyboard wiz PJ Morton (Maroon 5), blind and brilliant New Mexico song shaman Raul Midón, Arizonan funk bass goddess Nik West, and local blues siren Jackie Venson, who Gary Clark Jr. hand-picked as a tour opener. – Thomas Fawcett

Gente de Zona

The Coliseum
Fri., Aug. 18, 9pm

Cuban duo Gente de Zona mesh reggaeton beats with Caribbean rhythms for infectious Latin pride. Alexander Delgado and Michel “El Caro” Delgado began as a hip-hop group at the millennium. El Caro left but with Randy Malcom Martinez the group broke internationally on “Bailando” in 2014. The world’s flocking to the Latino party, they sing in “La Gozadera.” It’s about time. – Isabella Castro-Cota


Come & Take It Live
Fri., Aug. 18, 8:30pm

These power/speed metal vets stretch back to the early Eighties, when the Houstonians shared a label with Megadeth and Exodus, and toured with everyone from Stryper to Yngwie Malmsteen. Four new LPs since a new millennial reunion peaked on last year’s Vampiro which appeared on ’Deth bassist Dave Ellefson’s label to universal acclaim. Fellow Lone Star metalheads Ignitor, Byfist, Force of Rage, and L.A.’s 9Electric ride into battle first. – Michael Toland

Bone Thugs-n-Harmony (Photo by David Brendan Hall)


Bat Fest w/ Bone Thugs-n-Harmony, Scott Stapp, Paul Wall, and more

Congress Avenue Bridge
Sat., Aug. 19, 4pm

Mentored by N.W.A member Eazy-E, Bat Fest headliners Bone Thugs-n-Harmony became one of hip-hop’s most melodic groups with “1st of tha Month” and “Tha Crossroads,” which garnered the Clevelanders a Grammy in 1997. The quintet’s ice-cold gusto, heady spiritualism, and quick-witted rhymes thrive on The Art of War, Creepin’ on ah Come Up, and E. 1999 Eternal. Creed’s Scott Stapp, Paul Wall, and more spook the bats out from under the Congress Avenue Bridge. – Alejandra Ramirez

J. Cole, Anderson Paak

Frank Erwin Center
Sat., Aug. 19, 8pm

Breaking on his debut mixtape The Come Up (2007), J. Cole made his next move count when sophomore mixtape The Warm Up landed him on Jay-Z’s Roc Nation as one of its first signees. Now boasting multi-platinum albums from debut Cole World: The Sideline Story (2011) to 4 Your Eyez Only (2016), the North Carolina rapper waxes poetic with a serrated edge. Oxnard’s Prince, Anderson Paak, opens. – Alejandra Ramirez

Photo by John Anderson

Jazzus Lizard

The Lost Well
Sat., Aug. 19, 8pm

Last August, David Yow fronted the Jazzus Lizard, a local jazz combo covering his noise rock antiheroes. Several hundred crammed inside the Lost Well to witness an unforgettable 18-song performance in which jagged riffs erupted on piano and sax. The five, minus Yow, return to the crime scene to issue a double LP of the notorious show, titled Yowl. We Are the Asteroid and Suckling open. – Kevin Curtin

Photo by Peter Gannushkin

The Young Mothers

Hotel Vegas
Sat., Aug. 19, 7pm

Local experimental/improvisational festival Sonic Transmissions throws itself a benefit featuring flagship band the Young Mothers, anchored by STF founder and bassist Ingebrigt Håker Flaten. The sextet’s nimble mix of free jazz, hip-hop, and punk roils thanks to the squealing sax of Jason Jackson, the smart rhyming of trumpeter Jawwaad Taylor, and the burning guitar of rising six-string star Jonathan Horne. – Michael Toland


Austin Chronicle Hot Sauce Festival, with Mike & the Moonpies, and more

Fiesta Gardens
Sun., Aug. 20, 11:30am

Mike & the Moonpies are the hardest-working honky-tonkers in Texas. The local sextet rose from a residency at the White Horse to become two-step ambassadors across the nation, exporting a raucous mix of traditional and contemporary country to the tune of 275 dates a year.

“I’ve had the same guys now for about 10 years, so it’s amazing nobody’s killed somebody yet,” laughs lead Moonpie Mike Harmeier while on the road to Houston. “We have a nice new Chevy conversion van with a TV and Xbox in it, so it keeps morale a little higher.”

Following 2015 breakout LP Mockingbird, the locals captured their live set on a double album last year during a three-night stand at the WinStar World Casino & Resort in Oklahoma. The pared-down but still energetic live set informed what Harmeier wanted from their fourth album, recorded at Yellow Dog Studios in Wimberley and expected out early next year.

“With Mockingbird, I knew exactly how I wanted that to sound,” offers Harmeier. “We brought in a saxophone player and all that, and this one I just wanted it to be about the band. We cut it live in five days and it’s more electric guitar-driven, a lot of twin guitars. I didn’t play any acoustic guitar on it.

“It’s really different from anything else we’ve ever done. It’s a rocking record.”

Mike & the Moonpies preview new tunes Sunday while headlining the Chronicle Hot Sauce Festival, for which songwriter Carson McHone dishes country ballads, Alesia Lani serves soulful R&B, Superfónicos spice up Afro-Cuban funk, and reigning U-18 Austin Music Award winners Tiarra Girls. – Doug Freeman

GZA & Brownout

Empire Control Room
Sun., Aug. 20, 6pm

Brownout remains famous for jamming alongside Prince and reimagining Black Sabbath, but sporadic collaborations with Wu-Tang Clan’s GZA, beginning with an electric SXSW 2012 set, produced some genius. Only date on the MC’s summer tour with a live backing band, the local Latin funk crew backs a heavy dose of 1995 sophomore album Liquid Swords, a dark horse for favorite solo project among Wu-ficionados, and plenty of classic Clan bangers. – Thomas Fawcett

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