ACL Review: Mumford & Sons

Appropriate end to two flawless ACL weekends

For those complaining about the encroaching influence of hip-hop, EDM, and pop superstars over the past few years of ACL Fest, Mumford & Sons’ irrepressible headlining set Sunday night should’ve rang as reassurance. Over two hours and 21 songs, the UK sextet inspired the entire field before the Samsung stage to sing along, full-throated and with abandon.

Photo by David Brendan Hall

While the group’s embraced its trajectory toward grander rock, they’ve also maintained their folkier roots. The opening run of “Snake Eyes,” “Little Lion Man,” and “Holland Road” proved that upright bass, banjo, and acoustic guitar remain anthemic in the right hands.

Marcus Mumford commanded the stage and the crowd with indefatigable energy. The frontman crooned solo to open “White Blank Page” before the band folded in full force, and took to the drum kit for the swell of “Lover of the Light.” “Tompkins Square Park” roared into the dramatic pull of “Believe,” with Mumford encouraging fans to hold up their phones to light the entire side of the park.

Throughout, the band beamed with a genuine enthusiasm, Mumford declaring, “This might be my favorite festival in the world,” and asking the crowd, “Who just saw Willie Nelson play? We can all die happy now!” He acknowledged the honor of sharing the bill with Radiohead and Kendrick Lamar, but the band made their case for closing festival headliners with tightly controlled tension and release between the tender “Ghosts That We Knew,” raging lift of “The Cave,” and stomp & roll of “Below My Feet” into new live anthem “Forever.”

Mumford ran down the middle gangway through the crowd belting “Ditmas” as the penultimate song of the main set, even diving into the crowd and having his shirt ripped apart. The encore rose behind the newer “Hot Gates,” but “I Will Wait” brought the greatest burst of appreciation from the crowd. Closing, the band hit a perfect capstone to the joyous, emotionally ripped set.

Bringing Haim and Gregory Porter onstage, they unloaded a wailing version of “With a Little Help From My Friends” as fans sang along, perhaps the most appropriate end to two flawless ACL weekends.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

READ MORE
More Mumford & Sons
Sturgeon’s Revelation Revisited
Sturgeon’s Revelation Revisited
The mystery of Mumford & Sons

Jim Caligiuri, April 27, 2011

Steel Wheels
Steel Wheels
Scenes from the Railroad Revival Tour

Austin Powell, April 27, 2011

More by Doug Freeman
Watch This: Highlights of the Original <i>Austin City Limits</i> Piano
Watch This: Highlights of the Original Austin City Limits Piano
The legendary ivories of the legendary show, played by legends

June 1, 2023

Crucial Concerts for the Coming Week
Crucial Concerts for the Coming Week
A farewell party for Jim Eno, Rock the Park with Rosie Flores, and more recommended shows

June 2, 2023

KEYWORDS FOR THIS POST

Mumford & Sons, ACL Fest 2016, Marcus Mumford, Haim, Gregory Porter

MORE IN THE ARCHIVES
NEWSLETTERS
One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Can't keep up with happenings around town? We can help.

Austin's queerest news and events

Eric Goodman's Austin FC column, other soccer news

All questions answered (satisfaction not guaranteed)

Information is power. Support the free press, so we can support Austin.   Support the Chronicle