ACL Review: Gregory Porter

Harlem’s new Nat King Cole puts on a one-man jazz fest

With all due respect to 2015 ACL breakout Jidenna, Gregory Porter is the real classic man. Dressed in a smart vest, tie, and his signature short-billed cap, the cuddly bear of a jazz vocalist treated fans to an array of new American standards in the Tito’s tent on Sunday.

Photo by Shelley Hiam

Backed by an ace quartet of grand piano, upright bass, saxophone, and drums, Porter sported the most impressive instrument of the combo: A deep, warm, incredibly rich voice. “Holding On” opened the set, as it does this year’s Blue Note Records notable Take Me to the Alley, but EDM fans (who were nowhere to be seen) know Porter’s voice from the amped-up track of the same name by British knob tweakers Disclosure.

Jazz acts at Zilker tend to be of the New Orleans party band variety (think Jon Batiste and Trombone Shorty), but Porter’s more of a traditional jazz vocalist, with heavy gospel and soul undertones. Nat King Cole would be the most obvious comparison, but if you’re searching for influences, “Musical Genocide” offered up clues, name-checking James Brown, Mahalia Jackson, and Earth, Wind & Fire. The California-born singer championed his adopted homebase in “On My Way to Harlem,” singing the praises of Langston Hughes and Duke Ellington before detouring into a riff on Marvin Gaye’s “What’s Going On.”

“There’s a good vibe in here,” the recent Grammy-winner, 44, offered midway through. “Some people call that the spirit.”

Such a Porter-generated vibe may be better suited for festivals in Newport and New Orleans, but it felt like a breath of fresh air at ACL.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for almost 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

READ MORE
More Gregory Porter
Sunday ACL Fest Interview: Gregory Porter
Sunday ACL Fest Interview: Gregory Porter
Jazz? Love songs, gospel, soul, and even Disclosure.

Michael Toland, Sept. 30, 2016

More by Thomas Fawcett
SXSW Music Keynote: Beastie Boys
SXSW Music Keynote: Beastie Boys
Ad-Rock and Mike D remain funny to us, too

March 16, 2019

SXSW Music Review: Kokoko!/Bixiga 70/Jojo Abot
SXSW Music Review: Kokoko!/Bixiga 70/Jojo Abot
Afro tsunami lays waste to Sixth Street world music hub

March 15, 2019

KEYWORDS FOR THIS POST

Gregory Porter, ACL Fest 2016, Disclosure, Langston Hughes, Duke Ellington, Marvin Gaye, James Brown, Mahalia Jackson, Earth, Wind & Fire, Jon Batiste, Trombone Shorty

MORE IN THE ARCHIVES
NEWSLETTERS
One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Can't keep up with happenings around town? We can help.

Austin's queerest news and events

Updates for SXSW 2019

All questions answered (satisfaction not guaranteed)

Information is power. Support the free press, so we can support Austin.   Support the Chronicle