Space Camp Death Squad Reboots


ATX hip-hop trio premieres “Joe Dassin”

“We look like the un-rappiest rappers right now,” observes Ryan Darbonne, seated outside a coffeehouse with bandmate P-Tek, who’s munching on a muffin. Both are wearing shorts and eyeglasses.

Their irreverent Austin hip-hop crew, Space Camp Death Squad, releases its second album next week. Darbonne calls the eponymous effort “a reintroduction” since it’s the first recording after the addition of P-Tek (Adam Protextor) and Secret Levels (Colton Fergurson). Having two Caucasians in the group following the retirement of Filipino MC Noah Swords in 2013 inspired a shift away from the group’s “fuck all white people” humor.

Space Camp Death Squad: (l-r) P-Tek, Ryan Darbonne, and Secret Levels (Photo by Courtesy of Space Camp Death Squad)

“With Noah it was easy to talk about race,” explains Darbonne, who titled the first disc Racism. “Now, those songs wouldn’t be as pointed and satirical if we just made fun of white people. We still have subjects, but they’re bigger subjects.”

The new LP marinates in topics including the riots in Ferguson and Baltimore, student load debt, and calling out the prejudice of public figures. As for their preposterous nom-de-band, which was paired down from Space Camp Death Squad Bang Bus Squad We Whip Our Dicks out for Money and Smash Mouth Tickets, Darbonne did, in fact, attend Space Camp as a seventh grader. P-Tek just mail-ordered the free informational VHS tape.

“Space Camp’s polemicist is going after either people in the rap community or in the world community who we think are assholes,” outlines P-Tek. “We’re ripping on Lord Jamar for being homophobic and politicians like Greg Abbott and Rick Perry. Lyrically, it’s a punk mentality.

“There’s also going to be some talk about poop.”

Both sides of SCDS’s lyrical coin, the socially relevant and the humorously inane, are present on new single “Joe Dassin,” named for the French singer-songwriter whose version of “Les Champs Elysees” is used as the sample. The track features verses from all three members and was produced by Marcel Andrie.

Catch Space Camp Death Squad in action Saturday night on Mohawk’s outside stage where they open for Houston gangster rap veterans Geto Boys.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

READ MORE
More Space Camp Death Squad
...&More... Premieres Growth Through Acceptance
...&More... Premieres Growth Through Acceptance
An ATX hip-hop soundtrack to futile existence

Kevin Curtin, Feb. 13, 2017

35 Denton (Fifth Annual)
35 Denton (Fifth Annual)
Little D’s music festival remains fun and a bit funky

Zoe Cordes Selbin, March 12, 2013

More by Kevin Curtin
What Are the Hot Topics Being Discussed at This Week’s Texas Cannabis Policy Conference?
What Are the Hot Topics Being Discussed at This Week’s Texas Cannabis Policy Conference?
Ph.D.s, M.D.s, and CEOs gather in College Station to talk about weed

Sept. 12, 2024

The Austin Chronic: I Bought Weed From an Instagram Ad
The Austin Chronic: I Bought Weed From an Instagram Ad
Just doing some field testing here

Sept. 6, 2024

KEYWORDS FOR THIS POST

Space Camp Death Squad, Ryan Darbonne, Adam Protextor, P-Tek, Secret Levels, Colton Fergurson, Lord Jamar, Joe Dassin, Marcel Andrie, Geto Boyz

MORE IN THE ARCHIVES
One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Keep up with happenings around town

Kevin Curtin's bimonthly cannabis musings

Austin's queerest news and events

Eric Goodman's Austin FC column, other soccer news

Information is power. Support the free press, so we can support Austin.   Support the Chronicle