Weird City Hip-Hop Live Shot: Austin’s Own

Grassroots local bill represents – raw, hungry

Demonstrating your mic skills in any sparsely populated forum remains a daunting task. Especially for grassroots Austin rappers – working a genre that necessitates consistent bursts of energy. The homegrown local bill at Beerland Friday night also had a nearby Dâm-Funk set to contend with.

The circuit between performer and audience ebbs and flows, in this case requiring MCs to carry the brunt of the load. That’s entertainment. Atop that, you’ve only got 30 minutes to shine for an ever-changing, coming-and-going crowd.

Rising to the challenge, a number of ATX hip-hop hopefuls brought a welcomed rawness and hunger to the Red River rock & roll cavern’s in-your-face, floor-level stage. The Weird City Hip-Hop Festival’s “Austin’s Own” showcase delivered a diverse array of sound.

Hailing from Killeen by way of Virginia, International Scoot came with immediately accessible lyrics over a soulful, East-coast/Texas mixture. Scoot surely gained fans. His were real life stories told in metaphor-laden bars.

Whiteside (Photo by David Brendan Hall)

Whiteside (Photo by David Brendan Hall)

Whiteside – doubled (Photo by David Brendan Hall)

Dat Boy Supa, meanwhile, amped up Beerland with an undeniable energy and strong wordplay. Having a hype man was a great move. Supa brought a style reminiscent of the better crews booming in the early Aughts.

Irrational Zack flowed a bit uneven, more so for his slight antagonism with the audience, and seemingly with life in general, given the lyrical content. Clearly a fan of the late, great DJ Screw, he sounded most comfortable over Houston-influenced tracks. On one track, his best, he delivered a very capable double time flow.

Dat Boy Supa (Photo by David Brendan Hall)

Irrational Zack (Photo by David Brendan Hall)

The act with the most apparent star potential, Whiteside, cut through some of the small crowd apathy with a very charismatic, passionate performance. Somewhat clichéd topics were overridden by his live wire show and technical ability.

Austin rap hero Smackola with the Dirty Wormz proved the evening’s highlight in a dense, all-over-the-place burst. The short set included dubstep, industrial, and even a little R&B. Smack maintains a kinetic flow – and the requisite energy to match.

Smackola (Photo by David Brendan Hall)

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for almost 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

More Weird City Hip-Hop Festival
Weird City Hip-Hop Festival Re-Ups
Weird City Hip-Hop Festival Re-Ups
ATX’s early fall classic serves up a sophomore swang and bang

Kahron Spearman, July 15, 2015

More by Kahron Spearman
New Austin Music Worth Your Bandwidth This Week
New Austin Music Worth Your Bandwidth This Week
What we’re listening to

Feb. 26, 2021

New Austin Music Worth Your Bandwidth This Week
New Austin Music Worth Your Bandwidth This Week
What we’re listening to

Feb. 12, 2021


Weird City Hip-Hop Festival, International Scoot, Irrational Zach, Dat Boy Supa, Whiteside, DJ Screw, Smackola, Dirty Wormz

One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Can't keep up with happenings around town? We can help.

Austin's queerest news and events

New recipes and food news delivered Mondays

All questions answered (satisfaction not guaranteed)

Information is power. Support the free press, so we can support Austin.   Support the Chronicle