Jonathan Richman's Eyes

The Modern Lover makes it to halftime

Still in love with the modern world
Still in love with the modern world

It’s in his eyes: Dark, haunted, at times vacant but rarely smiling, no matter what the subject of the song or the raw emotions he was trying to convey. Last night at the Cactus Café, Jonathan Richman played two short 30-minute sets of proto-folk. He continues tonight and tomorrow at the Continental Club.

Accompanied only by drummer Tommy Larkins, Richman strummed his nylon-stringed guitar and sang his simple songs without much interaction with the nearly full Cactus. Some songs were taken from his 2008 release, Because Her Beauty Is Raw and Wild, explaining mid-song – and I’m paraphrasing here – “songs have to be fresh and that’s why we don’t do your favorite old songs.”

His eyes on “When We Refuse to Suffer” exposed a soul that felt the words more deeply than just another singer-songwriter. The rudimentary setup lent an early rock & roll feeling to some of the songs, bringing to mind Buddy Holly’s garage days, and his youthful outlook was candidly displayed with a tune about the memory of the acrid smell of diesel fuel as a very young child.

He shimmied, banged a cowbell occasionally, and the crowd laughed appropriately at some of the odd juxtapositions in his lyrics. But Richman’s eyes didn’t really smile until near the end of the second set, perhaps relieved that he’d made his way through another show, but more likely because of the wave of ardent applause.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for over 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

READ MORE
More Jonathan Richman
Playback: Lights Out for Jovita's
Playback: Lights Out for Jovita's
Run-ins at Jovita's, thieves in the night at Mohawk, and Lickona's feeds off of 'Austin City Limits'

Kevin Curtin, June 29, 2012

More by Jim Caligiuri
Carrie Elkin’s Life-and-Death Folk
Carrie Elkin’s Life-and-Death Folk
Her father's death and daughter's birth upped the stakes of the singer's finest work

April 14, 2017

SXSW Music Live: Richard Barone Presents Greenwich Village in the Sixties
SXSW Music Live: Richard Barone Presents Greenwich Village in the Sixties
Soft Boys, Youngbloods, Moby Grape, Brian Jones’ grandson, etc.

March 18, 2017

KEYWORDS FOR THIS POST

Jonathan Richman

MORE IN THE ARCHIVES
One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Keep up with happenings around town

Kevin Curtin's bimonthly cannabis musings

Austin's queerest news and events

Eric Goodman's Austin FC column, other soccer news

Information is power. Support the free press, so we can support Austin.   Support the Chronicle