'Type So Hard You Bruise the Screen'

Owen Egerton has 30 things to say to struggling writers

'Type So Hard You Bruise the Screen'

In the late 1950s, Jack Kerouac typed out a list of thirty points describing his writing practice in a piece titled “Belief and Technique for Modern Prose: List of Essentials.” Some of it makes solid sense – “4. Be in love with yr life” – others are a kind of enjoyable nonsense – “11. Visionary tics shivering in the chest.”

Following in this tradition, I humbly offer my own thirty points for prose. I have gathered these thoughts from mentors, fellow writers, and my own disjointed thinking. Many of these ideas have been better worded by wiser writers than me, but I’ve avoided quoting. If you’re interested, look to the words of Rilke, Lew Welch, Thomas Merton, Kerouac, Dagoberto Gilb, and Tim O’Brien, to name a few.

1. Write. Now. Go.

2. Don’t think. Scribble. Scribble. Scribble. Type so hard you bruise the screen.

3. Now think.

4. Revise. Revise. Revise. Cut. Cut. Cut. Rewrite. It is the sweat of craft.

5. Don’t always know what your images mean.

6. Do always know what your sentences mean.

7. Do not wait for inspiration. Go out and hunt it. Seduce it. Pin it down and dribble spit on its forehead until it cracks your leg bone and renames you.

8. Writing takes time. Don’t find the time to write. Make the time. If necessary, abandon sleep, people, television and drink.

9. Treat writing like a hobby and you will receive nothing but the fruits of a hobby. It’s a vocation. Honor it as such.

10. Don’t say you’re trying to be a writer. If you’re writing then you are a writer. Publication is nice, but has nothing to do with the definition.

11. Love rejection. In letters, in criticism, in sales. Rejection is evidence you are in the game. If you’re striking out, it means you got up to bat.

12. Drink and talk with those that write and create, but never mistake talking about writing for actual writing.

13. Love solitude.

14. Celebrate arrogance. You’re calling yourself a writer, for godsake. Embrace it.

15. A person can only read so many words in a lifetime. Your reader is choosing to read you instead of Shakespeare, Hemingway, Whitman. Humbly honor that and give them the best of your soul.

16. Do not write from answers. Write from questions. Discover more questions. Our work is not to explain the mystery, but to expand it.

17. The craft of the sentence is important. But a perfectly crafted sentence with no passion is a well-dressed corpse. More fun to dance with a beggar than kiss a corpse.

18. For a writer, the Internet is more dangerous than whisky.

19. Whisky is pretty dangerous, too.

20. Write what you know is bullshit. Reach beyond what you know, grasp for what is beyond your reach.

21. The best fiction is magnificent failures. So fail magnificently.

22. If your story isn’t worth telling a stranger in a bar, it’s not worth writing.

23. In life many of us aim to avoid conflict. In fiction, we force enemies into a room with no doors.

24. Laugh out loud at your own written words. Even in public… Especially in public.

25. If you discover nothing while writing, don’t expect your reader to.

26. Dream onto the page. I mean dream in every sense of the word. Wishing. Fantasizing. And the unconscious game of your unthought thoughts bubbling into fragmented memories and shaping a narrative with elements of your life, but in a completely unexpected order and relationship.

27. Live well. If your life is dull, it will seep into your pages like a stench. Take long walks. Get lost. Read. Read. Look foolish. Kiss people on the mouth.

28. If you write because you believe the world needs you, you’ll soon discover we don’t. If you write because you are so naturally talented you must, you’ll soon discover you are not. If you write for money… I’m chuckling at you. None of these reasons will sustain you. Listen. Are you called to write? Then write.

29. You are going to die. So are all your readers. Let this inform every story you write.

30. Writing is both holy and meaningless. That’s all the pressure and freedom you need.

Owen Egerton is an author, performer, and screenwriter. His fiction includes the short story collection How Best to Avoid Dying and the novel The Book of Harold, the Illegitimate Son of God. His new novel Everyone Says That at the End of the World will be published by Soft Skull Press in spring of 2013.

The Austin Chronicle is currently accepting submissions for its annual Short Story Contest. (Postmark deadline Dec. 10, 2012; more rules and regs here.) Check in here every day this week for more encouraging bits from published authors and past Short Story Contest winners.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for almost 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

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More Austin Chronicle Short Story Contest
"A Celebration of Writing, and Reading"
Louis Black's notes on the first Chronicle Short Story Contest

Robert Faires, June 14, 2017

Short Story Contest Update
Short Story Contest Update
Of the 410 total entries, we're down to 10

Monica Riese, Jan. 21, 2013

More by Owen Egerton
'How Best to Avoid Dying: Stories'
'How Best to Avoid Dying: Stories'
An excerpt

June 15, 2007


Austin Chronicle Short Story Contest, Short Story Contest, Owen Egerton, Jack Kerouac, Belief and Technique for Modern Prose, The Book of Harold, Everyone Says That at the End of the World

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