Out of the Voidoids Comes a Strong Silent Type
In which Ernie Stomach AKA Richard Hell gets downright abecedarian
By Wayne Alan Brenner,
8:00AM, Sat. Mar. 30, 2019
Cuneiform Press, never a group to shy away from the odd or obscure, especially in the service of disseminating the good news about letterforms and divinely or demonically inspired texts, brings the world the return – the expertly produced, limited-edition, what-a-lovely-bibliocentric-object return – of Richard Hell’s first book.
You know: “Blank Generation” and an array of lesser known releases?
So, that Richard, who was originally christened Richard Meyers but took his surname to Hell because that was how he felt at the time, also wrote poetry under the pseudonym Ernie Stomach.
He wrote under other pseudonyms, too, but right now we’re mostly concerned with Hell’s Stomach.
And, as Ernie Stomach, in 1971, he published a book called uh.
No, no, the title of the book: uh.
And, viddy the Cuneiform Press description here: “Stomach’s aim was a version of the Roman alphabet in which the glyphs correspond in their differentiations to lower-case block-lettered forms, but stripped to the naked elliptical minimum so that they would be not only sexy, but hard to distinguish from each other (facilitating misreadings and forcing the reader to pay attention). The letterform contents of that book were created crudely by the author using X-Acto knifed mylar templates and a felt-tip pen.”
And: “Now, with the advent of font software, Stomach has been able to recreate the book as he would have done it at the time were such technology available. This book’s design differs from the original edition only in the improved technology and materials used.”
So what’s recently released from Cuneiform is a new book – a “flip-movie dance alphabet peepshow toy enigma boring book” – that’s a 64-page, black and white, paperback volume depicting, one letter per page, that entire odd, obscurantist, X-Acto’d alphabet designed by Ernie Stomach.
We reckon it might be just the sort of thing you’ll want among the typographic treasures of whatever small library you’ve amassed.