What's crazier than Fusebox Festival packing more than 50 boundary-busting interdisciplinary projects – including a variety of performances, installations, talks, and events – into 12 days?
How about Fusebox packing 60 such projects into just five days?
'Cause that's the plan for 2016.
In releasing the lineup for this year's Fusebox, festival founder and Artistic Director Ron Berry announced that for the first time in its 12-year history, the hybrid arts hootenanny would take place over five days, April 6-10, even though it would be presenting as many acts as it ever has: more than 60, spread out over two dozen venues across Austin. In a press statement, he described this as "an exciting experiment” intended to "attract more out of town audiences and colleagues while creating an even more vibrant, temporary community around the festival.”
As usual, Berry has booked an exciting roster of artists from across the nation and the globe, with this year's participants hailing from as far away as Angola, Argentina, Hong Kong, Japan, Mexico, and Russia. Among them:
Naturally, the ATX will be well represented, with the Rude Mechs taking a second at their latest show in development, Field Guide (and as near as we can tell, the Brothers Karamazov and stand-up comedy are still in the mix); Catastrophe Theory Arts, giving us a second look at its Notes on the Classification of Spectral Lines, the Art of Water Writing, and Other Important Ephemera; Austin Revolutions per Minute, which will provide a curated collection of local music on vinyl for you to enjoy in special listening rooms; Jules Buck Jones' Animal Facts Club, which will mash up art and science in an hourlong lecture/performance on The Biodiversity of Texas; visual artist Yuliya Lanina, who will enter one of her works via the magic of animation; Los Outsiders, who will serve up an over-the-top absurdist fashion show called Sew Wasted; composer Matthew Steinke, who will create a musical installation in which common iron objects are used to create sounds and tones through electromagnetism; and composer Steve Parker, who has created a work for the flying mammals who roost under the Congress Avenue bridge, Bat/Man, that actually involves pitch-shifting their calls so they can be heard by human ears and having them be accompanied by a conch-shell ensemble, a megaphone choir, a funnel horn band, and echo-location devices used by audience members.
This year's festival hub, where Fuseboxers can meet nightly to connect with one another, as well as festival artists and crew, will be at Austin Saengerrunde Halle, 1607 San Jacinto, which means that in addition to the standard libations and conversations, you can enjoy free bowling and a rooftop patio.
Last but not least, for the third year in a row, Fusebox will be entirely free to attend, under the Free Range Art initiative. Advance reservations for festival events can be made starting Feb. 8, on the Fusebox website. Tickets will also be available at the door.
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