Austin Opera to Mount Manchurian Candidate

Kevin Puts' take on political thriller opens 2016-17 season

Brenda Harris and Matthew Worth in the Minnesota Opera production of The Manchurian Candidate
Brenda Harris and Matthew Worth in the Minnesota Opera production of The Manchurian Candidate (Photo by Michal Daniel)

Forgive the cliche, but how better to break the news about Austin Opera's 30th season than to say it opens with a bang? I mean, the company's first production will be that thriller about political assassination The Manchurian Candidate, newly adapted for opera by Pulitzer-winning composer and former Austinite Kevin Puts.

Artistic Director Richard Buckley has talked about the need for the company to explore the American operatic repertoire, as with the recent Carlisle Floyd Of Mice and Men, and he's long been interested in new work, so the selection fulfills his artistic agenda for Austin Opera. Still, it's bold programming, in part because The Manchurian Candidate opera is still so new – it only premiered at Minnesota Opera in March of 2015 – but also because its one-night-only showing in Austin comes only seven weeks before the presidential election. Quite a time to be singing about political conspiracies, brainwashing, and murderous coups d'état.

And The Manchurian Candidate was quite an about-face for ex-Butler School of Music composition teacher Puts and librettist Mark Campbell, whose previous creation for Minnesota Opera was Silent Night, based on the famous Christmas Eve truce between enemy soldiers on a World War I battlefield. That was the work that earned the team the 2012 Pulitzer Prize for Music, and while it's still too early to say whether their leap into Cold War paranoia and skulduggery will snag them a companion prize, the premiere production did earn them a number of glowing reviews, with critics calling the new opera "thrilling," "elegantly jarring," and comparing it favorably to both the 1959 Richard Condon novel and its creepy 1962 film adaptation by John Frankenheimer.

Austin Opera will be fortunate to have some of the artists from the original production perform in its regional premiere, among them soprano Brenda Harris, reprising her role as Eleanor Iselin, the controlling, manipulative mother of damaged Korean War vet Raymond Shaw; and bass-baritone Daniel Sumegi, who will again play her blustery spouse, Sen. Johnny Iselin. Other cast members announced are: Grammy Award-winning baritone David Adam Moore as Shaw and tenor John Lindsey, who played the TV Announcer in the world premiere production, as Capt. Ben Marco.

The Manchurian Candidate will be performed Sat., Sept. 17, in a semi-staged production directed by Alison Moritz, who assistant directed the Minnesota Opera production, with projection design by Greg Emetaz.

Also announced for Austin Opera's 2016-17 season:
• a return visit from Richard Wagner’s moody, spooky The Flying Dutchman, starring bass-baritone Wayne Tigges (Scarpia, Tosca; Figaro, The Marriage of Figaro), Nov. 12, 17, and 20;
• the company's first dance with Gaetano Donizetti’s rollicking The Daughter of the Regiment, featuring the welcome return of soprano Rachele Gilmore (2015 Season Gala Concert) and tenor Rene Barbera (Nemorino, The Elixir of Love), Jan. 28, Feb. 2, and Feb. 5, 2017; and
Giacomo Puccini’s ever popular Madame Butterfly, pairing soprano Yunah Lee, in her first appearance with Austin Opera, and tenor Dominick Chenes (Riccardo, A Masked Ball), April 29, May 4, and May 7, 2017.

For more information, visit austinopera.org.

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KEYWORDS FOR THIS POST

Austin Opera, Richard Buckley, Kevin Puts, Mark Campbell, The Manchurian Candidate, Wayne Tigges

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