We Have an Issue: And The Award for “Loosiest-Goosiest Award Show Reimagining” Goes To ...


Art by Zeke Barbaro

For a lot of people, last year's Austin Music Awards is time-stamped as the final public outing they enjoyed before the pandemic hit.

Back in the fall, when we first started talking about this year's AMAs, we sure liked the idea of the 2021 ceremony marking a kind of welcome back to being together again, a post-vaccine party to celebrate getting through a grueling 12 months. What sweet symmetry that might have been.

It wasn't meant to be.

So what did we do instead to celebrate the music artists and industry workers who won the annual Austin Chronicle Music Poll? Same thing everybody else has been doing this past year: We got crazy creative.

Music Editor Raoul Hernandez and staff writer Kevin Curtin cooked up a marvelous idea – why not bombard winners at their own homes, Publishers Clearing House-style? The idea grew from there (oversized prop checks were a must, naturally). Our marketing and art departments got busy building it out. Our friends at Arts + Labor came on as creative collaborators. The participation of the Society for the Preservation of Texas Music, title sponsor Capital Metro, and a host of other sponsors enabled us to cut $500 checks for every winner.

On Monday of this week, Kevin put on a bow tie, climbed in his 1995 Dodge Ram 3500 van (redubbed "the Winner Wagon" by Digital Coordinator Tamar Price), and started hand-delivering winner plaques and those comical checks. Arts + Labor filmed the whole thing, staff photographer David Brendan Hall took stills, and we've been blasting the videos out "almost live" over social media. As I type this, we're on day two, and I'm starting to worry Kevin's voice is going to give out. But the good cheer he's spreading – of that, he seems to have a limitless supply.

You can find all the footage at austinchronicle.com/ama, and read profiles of the winners. Seek out their music – buy some merch if you can! – and save the date for sometime next March. We'll get the party started again then.


Online This Week


SXSW Online XR reconceives Congress Avenue (Courtesy of SXSW)

Austin Landmarks Meet XR: SXSW has collaborated with extended reality experts VRrOOm to create a virtual Downtown Austin in the SXSW Online XR world, featuring the Paramount Theatre, the Contemporary Austin, Mohawk, Empire Control Room & Garage, and more.


Gesel Mason (Photo by Enoch Chan)

Comedy, Drag, Live Music, and More: Qmmunity contributor James Scott previews Trans Crowdfund Live, a March 5 online variety show (of sorts) raising funds to cover gender affirming care for BIPOC trans Austinites.

A College Ball Trailblazer: Michael King reviews I Came As a Shadow, the autobiography of John Thompson Jr., the legendary Georgetown Hoyas basketball coach who passed away in August.

Movies in Public, but Also Private: Violet Crown Cinema will reopen this month for private screenings with their new RSVP Cinema program, where you can book your own movies to watch in a theatre all to yourself.

Trust the Process: Arts Editor Robert Faires interviews choreographer Gesel Mason about teaching her students to be okay with being vulnerable in her livestreamed Texas Theatre & Dance project, burst!

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for almost 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

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KEYWORDS FOR THIS STORY

Austin Music Awards, Kevin Curtin, Raoul Hernandez, Society for the Preservation of Texas Music, Austin Chronicle Music Poll, Arts + Labor

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