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Visual Arts for Thu., Dec. 5
Events
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    Visual Arts

    HRC Lecture: Houdini the Collector

    Following Harry Houdini’s untimely death in 1926, his widow Bess sold the famed illusionist’s massive collection of magic and theatrical history to a New York real estate developer. Assembled over decades from his vast network of dealers and friends, Houdini's collection came to the University of Texas in 1958. Using examples from the HRC’s archives, curator Eric Colleary, unravels the surprising stories behind Houdini’s collecting.
    Thu., Dec. 5, 7pm. Free.
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    Visual Arts

    Landmarks Video: Animation I

    Keith Sonnier’s videowork from 1973 is the latest to get the big-screen treatment in this ongoing series from your friends at UT's Landmarks program.
    Through Dec. 31. Daily, 7-10pm  
    ART Building, 2301 San Jacinto
ONGOING
  • Arts

    Visual Arts

    Co-Lab Projects: Texas Toast

    This is a food-themed group exhibition featuring the work of so many artists that it's like a smorgasbord, it's like a cornucopiac Golden Corral salad bar of visuals, it's, listen: Valerie Chaussonnet. Alexis Mabry. Drew Liverman and Veronica Giavedoni. Olwyn Moxhay. Sandy Carson. Stephen Fishman. Suzanne Wyss. Stephanie Reid. And more, more, more. And it's reviewed by Robert Faires right here.
    Through Dec. 21
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    Visual Arts

    grayDUCK Gallery: Bruisers

    Sarah Fox's new show at this excellent Eastside gallery is about the nature of little boys and the men that they become. "It is an exhibition," says the artist, "that I made in an attempt to be a better mother and to create a safer world for my son."
    Through Dec. 15
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    Visual Arts

    J Gallery: Abstract Visions

    The Visual Arts League of Shalom Austin JCC presents four artists whose works display different techniques of abstraction: Patti Troth Black, Diane Sandlin, Jane Fier, and Ashley Mayel.
    Through Jan. 5
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    Visual Arts

    Lora Reynolds Gallery: Drawing Tense

    The Brazilian artist Lucas Simões "thinks of his new works as drawings, even though they carry no graphite and have some dimensionality. He draws with an industrial laser, cutting angular or curved shapes into blackened steel plates, essentially turning them into elaborate paperclips that pinch, pull, and compress his trademark stacks of tracing paper." It's like … a little metal shibari for sheets of pulp? Ingenious, to be sure, and visually intriguing.
    Through Feb. 1
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    Visual Arts

    Recspec Gallery: Demons & Devils

    That's right, one of Austin's best little galleries is back – bigger and better than ever, now in a new space south of the river. And what a way to inaugurate this fresh venue – with a sort of sequel to last year's excellent "Witches" show, this one curated by Laurel Barickman and Katie Cowden and featuring a plethora of artists drawing their subjects from folklore and occultism's darker spaces and from deep inside the shadows of human nature. They're embracing – and displaying – all of it here, though: the light and the dark, the good and the bad, the holy and the evil in everyone. The devil, as we know, is in the details.
    Through Dec. 14  
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    Visual Arts

    The Blanton Museum: Medieval Monsters

    From griffins and giants to demons and dragons, monsters have enthralled people throughout time. In medieval art and literature, these fanciful creatures give form to fears, curiosities, and fantasies of the unfamiliar and the unknown. This new exhibition, organized by the Morgan Library & Museum in New York, presents a lively array of monsters that appear in more than 50 illuminated manuscripts from the European Middle Ages and the Renaissance. Each of the three sections of the exhibition – "Terrors, Aliens, and Wonders" – will explore the ways monsters functioned as the embodiment of power, the representation of marginalized groups in society, or the inspiration for awe.
    Through Jan. 12  
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    Visual Arts

    The Contemporary Austin: The Sorcerer's Burden

    The complex relationship between contemporary art and anthropology shapes the subject of "The Sorcerer’s Burden: Contemporary Art and the Anthropological Turn," an 11-artist exhibition representing a wide range of media – including painting, sculpture, photography, video, and performance. And here's our own Robert Faires with a full review of the show.
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    Visual Arts

    The Museum of Natural & Artificial Ephemerata

    This place, ah, it's one of our favorite places in the entire city; and of course they're properly corona-closed. But check 'em out online right now – it's a rich, wonder-filled website – to whet your appetite for when things get back to … uh … are we still calling it "normal," these days?
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    Visual Arts

    The People's Gallery: Exhibition 2019

    Here's the 15th annual exhibition at Austin City Hall, presenting a wide array of painting, sculpture, drawing, and other media by 113 local artists. This year, the exhibition includes a special selection of photographs: The Bold Beauty Project of Texas, featuring images of Texas women with disabilities taken by photographers from across the state.
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    Visual Arts

    The Umlauf: Michael Ray Charles

    Yeah, no, this is a monumental showing of work – including a series of paintings commissioned for the exhibition – by one of the best, most provocative artists working on this planet. The former Austinite (he taught at UT for 20 years) Michael Ray Charles "is known for art that investigates the legacy of historic racial stereotypes of African Americans. Since the 1990s, he's created complex, layered paintings that challenge stereotypes, power dynamics, and social and cultural hierarchies." Ah, words can't even – but our Arts Editor Robert Faires offers a fine preview right here.
    Through Jan. 3  
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    Visual Arts

    Visual Arts Center: Fall 2019

    The fall array of exhibitions at UT's Visual Arts Center features Nikita Gale's "EASY LISTENING," Kenneth Tam's "Details," Maria Antelman's "Mechanisms of Affection," Saakred's "Sin Nombre, Sin Cuerpo," and more.
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    Visual Arts

    Wally Workman Gallery: Joseph Janson

    In this solo show, the Austin-based artist has manipulated wire into subtle shapes alluding to the human figure, his works seeming to dance between two and three dimensions as they cast their complex shadows, further complicating as well as explaining their form.
    Through Dec. 7
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    Visual Arts

    Women & Their Work: The Meaning Wavers

    Stephanie Concepcion Ramirez and Betelhem Makonnen explore immigration and transnational identity, political repression, and the impact of silence in family narratives.
    Through Jan. 9
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    Visual Arts

    Yard Dog: Creak, Crack, Creep

    This excellent venue of outsider art presents a show by Portland's Jesse Narens, featuring dark mixed-media depictions of mysterious animals, birds, and insects, all intertwined with branches, leaves, and raindrops, evoking the forests and coastlines of the Pacific Northwest.
    Through Dec. 31

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