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for Fri., Nov. 10
  • Beatles Full Moon Concert in the Dark

    On the April Full Moon, come set intentions and indulge in the mesmerizing allure of live acoustic music performed by world-class musicians, surrounded by the warm glow of candlelight. Its a different kind of concert, that begins and ends in darkness, with music and a poem or two surrounding and soothing you. Audience members will be given the choice of bringing their own yoga mats and/or pillows to gaze at the shadows on the ceiling. A circle of chairs will be provided.
    Tues. Apr. 23, 8pm-9pm  
    ATX Unplugged
  • Carnival Entertainment Auditions

    Are you ready to choose fun and take your music career to the next level?! If so, then fill out your application for the opportunity to audition live in Austin. If they feel you may be a good fit for Carnival Entertainment, they will send you an invitation to audition live. Click on the link to apply!
    Tues. Apr. 23  
    Austin, Texas
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  • Music

    Sound on Sound presents Grizzly Bear, Molly Burch

    Beginning as singer Ed Droste’s solo project, Grizzly Bear grew into a critically acclaimed art-rock act with 2006’s Yellow House, the album featuring all four current members. 2009’s Veckatimest, containing iconic singles “While You Wait for the Others” and “Two Weeks,” catapulted the Brooklynites to indie heights. August’s Painted Ruins take the band back to the future on folk and Steely Dan soul.
    Fri., Nov. 10, 9:10pm 
  • Music

    Sound on Sound presents Lindstrom, Juan Maclean (DJ set), Cap'n Tits

    Synthesizers rule Hans-Peter Lindstrøm. Pioneer of his country’s cosmic space sound, the Norwegian DJ/producer’s expansive, dreamy incarnation of electronic music fuses influences from Italian and nü disco. Behind a decade of hits, Lindstrom, 44, touts last month’s fourth studio album, It’s Alright Between Us as It Is. Also on board is the Juan MacLean, electro dance-punk from the former Six Finger Satellite guitarist and LCD Soundsystem’s Nancy Whang.
    Fri., Nov. 10, 9pm 
  • Music

    Sound on Sound presents Washed Out, Capyac

    Slushy beats and ambient waves lull you into chillwave that bops. Under the moniker Washed Out, Ernest Greene’s new album Mister Mellow creeps the same noisy dance-pop but scraps the bedroom-fi for a retro club sonics. Composer of the Portlandia theme, Greene now enters a new era as “Burn Out Blues” and “Zonked” level up dizzy samples prior to “Instant Calm” and “Million Miles Away” floating you back down to Earth. Local balloonwave pioneers Capyac open.
    Fri., Nov. 10 
  • Music

    Sound on Sound presents Citizen, Hotelier, Sorority Noise

    Emo kids never say die. So proves the genre’s revival these last five years. Rust Belt born Citizen thrives on Mat Kerekes’ angsty croon and self-effacing lyricism about small town ennui that stretches over clashing, grungy rock. Central Massachusetts trio the Hotelier and Connecticut fourpiece Sorority Noise both rely on the same sonic and emotional punches. Austin/Brooklyn quartet Alex Napping opens with cerebral dream-pop.
    Fri., Nov. 10, 6:30pm 
  • Music

  • Music

    Sound on Sound presents Cannibal Corpse, Power Trip, Gatecreeper, Blanck Mass

    “I find our songs deadly serious, so maybe that’s why there’s death-related topics,” posits Riley Gale, roaring frontman for Dallas thrash unit Power Trip. For all the archaic methods of capital punishment – beheadings, crucifixions, and firing squads – that spill blood on the quintet’s sophomore LP Nightmare Logic, another tortured time also rules: 2017. “I studied some postmodern philosophy, which has a lot to do with deconstructing history and applying a broad political notion to it,” explains Gale, pointing to single “Executioner’s Tax (Swing of the Axe),” which won “Metal Song of the Year” honors at the 2017 Loudwire Music Awards. “Before the guillotine, they still had the axeman. If you were a criminal, a priest would come to you before you were executed and ask, ‘Do you want to repent?’ If you turned to God at your final hour, they’d give you a bag of silver or nickel and you were supposed to tip the executioner so he cuts your head off in one swing and it’s not painful. “I took that idea and sort of applied it to our current political climate,” continues the screamer, whose band includes Austin extreme music linchpin Chris Ulsh (Mammoth Grinder, Impalers, Hatred Surge, Iron Age) on drums and eschews the pitfalls of crossover thrash by leaning heavily on raw hardcore punk influences. “The way I see a lot of capitalists in corporate America, they’d gladly pay for the privilege of a comfortable and numb way to die, whether it’s with prescription drugs or getting fat, watching TV, and eating junk food. I see it all as the same thing: We’re paying off the executioner.”
    Fri., Nov. 10, 8pm 
  • Music

    Hell's Belles

    All-grrrl Seattle AC/DC tribute led by ATX’s Adrian Conner.
    Fri., Nov. 10, 11pm 
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