The Lost World: Jurassic Park
1997, PG-13, 129 min. Directed by Steven Spielberg. Starring Jeff Goldblum, Julianne Moore, Pete Postlethwaite, Arliss Howard, Richard Attenborough, Vince Vaughn, Vanessa Lee Chester, Peter Stormare.
REVIEWED By Marc Savlov, Fri., May 30, 1997
The phrase “long-awaited” kind of falls short of the mark when discussing Spielberg's $70 million-plus follow-up to the highest-grossing film of all time. Suffice to say, fans of the first film won't be disappointed by the sequel, with the possible exception of Professor Stephen Hawking, who will doubtless miss all the earlier film's discussions about chaos theory. Loosely based on Michael Crichton's bestselling novel, The Lost World reunites the inimitably goofy mathematician Dr. Ian Malcolm (Goldblum, nicely twitchy, as always) with a whole new passel of big, scary monsters, this time on a remote island some 80 miles from the original dino-site. According to billionaire venture capitalist John Hammond (Attenborough), this second island was used to breed the original dinosaurs for Jurassic Park and has since fallen into disrepair. Hammond, sick and bedridden at this point, no longer seeks financial gain from his cloned critters, but instead wants them studied and preserved for the benefit of the scientific community and the world at large. To this end he sends Malcolm and a team of three others -- including Malcolm's girlfriend, Dr. Sarah Harding (Moore) -- to study and photograph the creatures. Unbeknownst to the group, Hammond's nephew Peter Ludlow (Howard) is leading a group of InGen scientists into the field to salvage what they can for the ailing corporation. That includes capturing a live Tyrannosaur and returning it to a new theme park in San Diego. Bad idea. The Lost World (unlike Spielberg's original film) leaps head first into the action, rushing, it seems, to get the film's real stars -- the dinosaurs -- to the screen as quickly as possible, and it does so with considerable verve. Stegosauri, Tyrannosaurs, and all manner of new creatures make their chaotic debuts within the film's first 30 minutes, and from that point on, The Lost World feels like less of a movie than it does a carnival ride -- all precipitous highs and nerve-jangling lows. In fact, there's so much rushing about that you're tempted to think it's all much ado about nothing, but just then a T-rex eats someone whole and your gut drops out from under you and the ride continues, unabated and wild. Much of the fun (and there's a lot of it) relies on gory black humor: an InGen stooge gets tromped by a T-rex and remains stuck on the carnosaur's foot for a while, a neighborhood pet brings new meaning to the term “dog food,” etc. Considering this, parents might want to think twice before allowing younger children to catch that matinee. Film buffs will get a kick out of the many in-jokes Spielberg and screenwriter David Koepp have tossed in (Koepp himself plays a Tyrannosaur victim), including homages to the original King Kong, among others. Schindler's List it's not, nor is it even Jaws, but it is pure Spielbergian fantasy, and as such, The Lost World may just be the perfect Saturday afternoon summer movie.