https://www.austinchronicle.com/books/2001-11-16/83631/
That anger -- which Cruz would later find best articulated in the work of James Baldwin and Sandra Cisneros -- was fueled by class and racism, by inequality and injustice, and she had been writing about it for years. She just didn't know it. "At that point, I'd been writing in journals my whole life but I never saw that as anything credible, I just did it, because I love documenting everything I do. And that was the moment when I was just like, 'Oh, you mean I could write if I wanted to?' It had never occurred to me." It was then that Cruz transferred to SUNY Binghamton, where she studied English, which led to MFA studies at NYU and her co-founding of Women in Literature and Letters.
It was then that she started Soledad, an explosive first novel that burns with as much narrative ambition as social criticism. When Soledad -- a 20-year-old art student who's just beginning to breathe a sigh of relief after escaping her Washington Heights family -- must return home to a mother "not doing so good," her existence, her very being, seems swallowed up by the troubles of others. In fact, the story is often told by others in a bold perspectival device that finds new narrators nearly everywhere you look. "Originally, when I wrote the book, it was about a community, and I was really interested in how voices sort of identify community and how language identifies a community," Cruz explains. "I had already started with different voices within the narrative and I realized that although I know some people find it very confusing sometimes, for me, I felt that there was something really powerful. And it also gave me a lot more freedom as a writer to go inside their heads."
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