Austin Film Festival Review: The Humans
Claustrophobic Broadway adaptation is horrifyingly astute
Trace Sauveur
31-60 of 63 entries
Screens, Oct. 25, 2021
Austin Film Festival Review: Memoria
Metaphysical meditation on sound is taxing but rewarding
Screens, Oct. 24, 2021
Lamb
Icelandic oddity finds unexpected heart in a strange fable of parenthood
Movie Review, Oct. 8, 2021
Austin's Newest, Biggest Haunt
Unleash the bats!
Arts, Oct. 7, 2021
Fantastic Fest Review: V/H/S/94
Fourth entry is a return-to-form for the found footage franchise
Screens, Oct. 5, 2021
Fantastic Fest Review: The Beta Test
Jim Cummings goes for Hollywood's throat in this scathing satire
Screens, Oct. 4, 2021
Stop and Go
Laughs are short and old in this COVID-era road trip comedy
Movie Review, Oct. 1, 2021
Old Henry
Cowboy tale takes a little too long on a familiar trail
Movie Review, Oct. 1, 2021
Fantastic Fest Review: Lamb
A24's Icelandic fable revels in its heartfelt absurdity
Screens, Sept. 27, 2021
The Card Counter
Oscar Isaac takes the biggest gamble of his life
Movie Review, Sept. 10, 2021
The Alpinist
Climbing doc has trouble keeping up with its enigmatic subject
Movie Review, Sept. 3, 2021
Flag Day
The Penn family gets in the skin of a counterfeiter and his daughter
Movie Review, Aug. 27, 2021
Rising Wolf
Ambitious elevator horror falls straight to the ground floor
Movie Review, Aug. 13, 2021
Stillwater
Torn-from-the-headlines thriller never matches Matt Damon’s everyman
Movie Review, July 30, 2021
Space Jam: A New Legacy
Rematch on the animated court as LeBron joins Team Looney Tunes
Movie Review, July 23, 2021
Justin Kirchhoff, Co-Founder, Co-Production House
Then: "If you're not comfortable wearing a mask, you won't be on set."
Now: "People ... were not very conscious of their own personal hygiene and that's changed tremendously."
Now: "People ... were not very conscious of their own personal hygiene and that's changed tremendously."
Screens, July 8, 2021
Sound of Violence
Murderous melodies never hit the right note
Movie Review, May 28, 2021
Undergods
Post-Apocalyptic-ish portmanteau shows future shocks, future promise
Movie Review, May 7, 2021
Triumph
High school wrestling drama is admirable for giving athletes with disabilities a platform
Movie Review, April 30, 2021
One in a Crowd: “Guts”
Help crowdfund Austin-produced horror-comedy short “Guts”
Screens, April 22, 2021
Czech That Film Festival Returns To Austin
Celebration of Czech cinema includes virtual, drive-in screenings
Screens, April 12, 2021
Indie Meme, Day by Day
Two weekends of the best of South Asian Cinema
Screens, April 8, 2021
Amundsen
Biopic of the polar explorers balances his achievements and his destructiveness
Movie Review, April 2, 2021
SXSW Film Review: Soy Cubana
Spirited doc transcends borders through a capella
Screens, March 25, 2021
What’cha Watchin’?
Editorial Intern Trace Sauveur finds something inside The Empty Man
Screens, March 25, 2021
SXSW Film Review: Sound of Violence
Music-driven thriller doesn’t quite hit all the right notes
Screens, March 22, 2021
SXSW Film Review: Recovery
Covid-19 comedy feels dated already
Screens, March 18, 2021
SXSW Film Review: Our Father
Off-kilter dramedy looks to reconcile an uneasy sisterhood
Screens, March 18, 2021
SXSW Short and Sweet: “Sophie and the Baron”
Alexandria Jackson on her story of collaboration and friendship
SXSW, March 16, 2021
Baratunde Thurston on Staying Civically Engaged During a Pandemic
The activist-comedian comes to SXSW Online with some tips
