The Body Double
Emily Beyda's debut novel is ready for its close-up
151-180 of 3,129 entries
Robert Faires, March 6, 2020
SUGA
Travis Coe performs his personal solo work with rigorous grace
Yasmin Zacaria Mikhaiel, March 5, 2020
Hezada! I Miss You by Erin Pringle
Erin Pringle's debut novel is a circus of grief
Cat McCarrey, March 5, 2020
New Exhibit at the Blanton Will Have You Feeling the Bern
"The Avant-garde Networks of Amauta" explores the social movement from Latin America in the 1920s
Barbara Purcell, March 5, 2020
Shrewd Productions' Alabaster
This deeply felt staging of Audrey Cefaly's new play brings us into a home where loss lives to show us when to leave
Robert Faires, March 5, 2020
Gateway Theatre Project's Ghosts
This site-specific staging immerses its small audiences in Ibsen's bleak, tragic world via an Austin home
Trey Gutierrez, March 5, 2020
"Through the Dusk, a Light" at Recspec Gallery
Annalise Gratovich prints up a bright array of time and place
Wayne Alan Brenner, Feb. 27, 2020
Big Wonderful Thing: A History of Texas Lives Up to Its Title
Stephen Harrigan chronicles the Lone Star State’s last 500 years
Robert Faires, Feb. 27, 2020
Paradox Players' The Mountaintop
In this powerful production of Katori Hall's drama, MLK wrestles with his life's meaning – and maybe an angel
Laura Jones, Feb. 27, 2020
Different Stages' Gliders
Rita Anderson's domestic drama sets one family's frictions against the backdrop of the Apollo 11 mission
Robert Faires, Feb. 27, 2020
Single Black Female
Lisa B. Thompson's play preaches from a Nineties perch
Yasmin Zacaria Mikhaiel, Feb. 26, 2020
The Big Goodbye
The making of Chinatown gets its full due in Wasson's chronicle
David Gaines, Feb. 25, 2020
Archive Theater's The Man of Destiny
The company builds a uniquely entertaining evening around Shaw's fiery tango of wits between a young Napoleon and a Mysterious Lady
Trey Gutierrez, Feb. 20, 2020
At No Lights No Lycra, You Really Can Dance Like No One's Watching
Since this weekly sober dance party happens in the dark, you're free to move without worry over how you look
Erica Lies, Feb. 20, 2020
Mary Moody Northen Theatre's The Curious Incident of the Dog in the Night-Time
This moving, transformative show gives its autistic hero a deep and engaging humanity
Laura Jones, Feb. 20, 2020
Come From Away
Tale of ordinary people embracing strangers is extraordinary
Elizabeth Cobbe, Feb. 19, 2020
Fernando Saralegui's Best Eats Havana
Dishing on the many flavors of Cuba’s capital
Barbara Purcell, Feb. 18, 2020
"Mihee Nahm: Soaked"
In this solo exhibition, the artist invites us to take a walk with her down memory lane
Cat McCarrey, Feb. 13, 2020
The Teacher
This prize-winning novel's tale of a student piecing together the hidden life of her teacher, a Holocaust survivor who killed herself, is haunting
Jay Trachtenberg, Feb. 13, 2020
Every Brilliant Thing
This production of Duncan Macmillan's solo show gives audiences a reason to live – make that a million reasons
Robert Faires, Feb. 13, 2020
Renee Davis' 25 Years as Harriet Tubman in Sister Moses
The dancer talks about her quarter-century of walking in the footsteps of this legendary conductor on the Underground Railroad
Robert Faires, Feb. 6, 2020
Filigree Theatre's The Turn of the Screw
The carefully crafted atmosphere in the staging of this ghost story may have you wondering if unseen spirits are lurking in the dark
Robert Faires, Feb. 6, 2020
Zach Theatre's A Night With Janis Joplin
This re-created rock concert with the legendary singer is so good, it may be better than the real thing
Elizabeth Cobbe, Feb. 6, 2020
Southwest Theatre Productions' Trade With Klan
In Donald E. Baker's new drama, the utter plainness of an Indiana small town makes its devotion to the KKK all the more shocking
Laura Jones, Jan. 30, 2020
Austin Opera's Everest
The production took audiences to the summit with powerhouse elements that made this opera grand
Trey Gutierrez, Jan. 30, 2020
City Theatre's Art
Macho arguments about taste abound in Yasmina Reza's dramatic comedy
Cat McCarrey, Jan. 30, 2020
Jarrott Productions' The Niceties
In this staging of Eleanor Burgess' drama, the frictions of American society catch fire in an academic's office
Robert Faires, Jan. 23, 2020
Austin Playhouse's Tiny Beautiful Things
There's excellent work in Austin Playhouse's production about Cheryl Strayed writing an advice column, but where's the humility?
Elizabeth Cobbe, Jan. 23, 2020
"PrintAustin: The Contemporary Print" at Big Medium
To go or not to go: That's ultimately a stupid question
Wayne Alan Brenner, Jan. 23, 2020
Hello, Dolly!
One of the last great Golden Age musicals revived with panache
Paul Beutel, Jan. 22, 2020
Richard Moya Park
