3: MFA Dance Concert
The work of these grad student dancemakers was as individual as it was thoughtful
1651-1680 of 3,188 entries
Jonelle Seitz, March 14, 2012
Experience Joy
The quality comedy at SXSW 2012 is worth making extra time for
Dan Solomon, March 14, 2012
'Beauty Is Embarrassing: The Art of Wayne White'
White's phrases painted meticulously onto found artworks leave us at a loss for words
Wayne Alan Brenner, March 14, 2012
Glengarry Glen Ross
Most of Mamet's gritty look inside salesmen's souls gets lost in surface performances
Dan Solomon, March 8, 2012
Romeo and Juliet
City Theatre's choices give this very familiar tale a welcome, fresh twist
Adam Roberts, March 8, 2012
Dark to Light
Issues of sensitivity and clarity hamper this dance program
Jonelle Seitz, March 8, 2012
Messenger No. 4 (Or... How to Survive a Greek Tragedy)
This riff on Greek tragic conventions stuffs plays within plays with giddy charm
Jillian Owens, March 1, 2012
The 21 Would-Be Lives of Phineas Hamm
In this play, jumping to a new life when the going gets tough proves a not-so-easy way out
Adam Roberts, March 1, 2012
'Noriko Ambe: White Scape'
Ambe's milky topography may make your aesthetic senses go snow blind in appreciation
Wayne Alan Brenner, March 1, 2012
Civilization (All You Can Eat)
Jason Grote's play comes off as fuzzy, especially in the half-light of SVT's staging
Elizabeth Cobbe, Feb. 23, 2012
'Jamie Panzer: Bullshit Detector'
Panzer's tetrahedons are no bull
Wayne Alan Brenner, Feb. 23, 2012
The Crucible
St. Ed's stages a chilling version of Arthur Miller's indictment of McCarthyism
Jillian Owens, Feb. 23, 2012
Boeing-Boeing
Austin Playhouse succeeds in booking a funny flight to Madcap Farce City
Adam Roberts, Feb. 16, 2012
Next to Normal
Strong performances make this musical about mental illness worth seeing
Elizabeth Cobbe, Feb. 16, 2012
'Joshua Saunders: Crip/Blood'
Attaching gang names to mundane objects, the show seems to be one big punch line
Andy Campbell, Feb. 16, 2012
Moulin Rouge: The Ballet
Truth was stranger – and more interesting – than the fiction in this Canadian dance
Jonelle Seitz, Feb. 9, 2012
'Diana Al-Hadid'
An afterimage for an afterworld
Andy Campbell, Feb. 9, 2012
Arcadia
A magnificent-looking and intelligent staging of Tom Stoppard's masterpiece
Jillian Owens, Feb. 9, 2012
Antarctica
Who knew Antarctica was really made of cheese?
Dan Solomon, Feb. 9, 2012
Wicked
An election-year return to Oz finds the hit musical packing an extra punch
Jillian Owens, Feb. 2, 2012
Lucia di Lammermoor
Lyubov Petrova powers this Lucia with vocal fireworks and nuanced acting
Adam Roberts, Feb. 2, 2012
'Long' Haul
Delivering the goods on the 2012 FronteraFest Long Fringe
Robert Faires, Feb. 2, 2012
Long Gone Lonesome
This tale of a Scotsman who loved and sang country music rang Texas true
Robert Faires, Jan. 26, 2012
Miró Quartet with Anton Nel
A concert which proved that eloquence survives in the age of the sound bite
Robert Faires, Jan. 26, 2012
'Laurie Frick: Quantify Me'
The artist as data, casting the metrics of her life in visual form
Wayne Alan Brenner, Jan. 26, 2012
Austin Symphony Orchestra With Emanuel Ax
The music made by the ASO and its guest pianist too often sounded disconnected
Adam Roberts, Jan. 19, 2012
'True Story'
Three very different takes on portraiture provide three reasons to see this exhibit
Wayne Alan Brenner, Jan. 19, 2012
Conversations While Dining Alone
The show's brief monologues work like pop songs, conveying universal feelings in condensed form
Robert Faires, Jan. 19, 2012
The Children's Hour
Design takes center stage in Different Stages' revival of Lillian Hellman's drama
Adam Roberts, Jan. 12, 2012
Return of the Herd of Harpsichords
This La Follia concert was to the harpsichord what a fine wine tasting is to vino
