Reviews Arts

121-150 of 3,128 entries
"Ben Muñoz: Over My Head" at Flatbed Center for Contemporary Printmaking
These bold new woodcuts capture the depth and bigness of life

Wayne Alan Brenner, July 16, 2020

“Marianne Levy: Grimm Re-Articulated” at the Dougherty Arts Center
This exhibition of ceramic sculptures recasts fairy tales with animals who are more human than the people in the originals

Robert Faires, July 9, 2020

"Lee Albert Hill: Signs" at CAMIBAart
This solo exhibition asks, What happens when shapes run away to join the circuits?

Wayne Alan Brenner, July 2, 2020

A Year Later, the Time Is Right for Another Conversation About <i>Notes From the Field</i>
A Year Later, the Time Is Right for Another Conversation About Notes From the Field
In the wake of George Floyd’s murder, Zach Theatre streamed its staging of the 2019 production and led a discussion on Zoom

Robert Faires, June 18, 2020

Kate Breakey: "Black Tulips & Dead Flowers"
This exhibition focused on specimens of the plant kingdom is like a series of windows into arcane botanical memories

Wayne Alan Brenner, June 18, 2020

This Is Who We Are #13: Pro Arts Collective's <I>Twilight: Los Angeles, 1992</i>
This Is Who We Are #13: Pro Arts Collective's Twilight: Los Angeles, 1992
A daily affirmation of Austin's creativity from the Chronicle archive

Robert Faires, June 1, 2020

This Is Who We Are #12: Tapestry Dance Company's <I>Rhythm … of a Life</i>
This Is Who We Are #12: Tapestry Dance Company's Rhythm … of a Life
A daily affirmation of Austin's creativity from the Chronicle archive

Robert Faires, May 27, 2020

This Is Who We Are #11: Frontera@Hyde Park Theatre's <i>blood pudding</i>
This Is Who We Are #11: Frontera@Hyde Park Theatre's blood pudding
A daily affirmation of Austin's creativity from the Chronicle archive

Robert Faires, May 26, 2020

Northern-Southern Gallery's
Northern-Southern Gallery's "Left in Leaves"
This group exhibition frees artwork from lockdown and sends quaratined viewers in search of it

Robert Faires, May 21, 2020

This Is Who We Are #10: Austin Lyric Opera's <I>Candide</i>
This Is Who We Are #10: Austin Lyric Opera's Candide
A daily affirmation of Austin's creativity from the Chronicle archive

Robert Faires, May 19, 2020

This Is Who We Are #9: Mary Moody Northern Theatre's <I>bobrauschenbergamerica</i>
This Is Who We Are #9: Mary Moody Northern Theatre's bobrauschenbergamerica
A daily affirmation of Austin's creativity from the Chronicle archive

Robert Faires, May 18, 2020

This Is Who We Are #8: Performance Encounters' <i>Home Entertainment 2009</i>
This Is Who We Are #8: Performance Encounters' Home Entertainment 2009
A daily affirmation of Austin’s creativity from the Chronicle archive

Robert Faires, May 15, 2020

The Contemporary Austin Feeds Your Head With <i>The Contemporary at Home</i>
The Contemporary Austin Feeds Your Head at Home
All the art in the Jones Center and at Laguna Gloria is yours for the viewing on the museum's new website

Wayne Alan Brenner, May 14, 2020

This Is Who We Are #7: Sharon Marroquín's <i>The Materiality of Impermanence</i>
This Is Who We Are #7: Sharon Marroquín's The Materiality of Impermanence
A daily affirmation of Austin's creativity from the Chronicle archive

Robert Faires, May 13, 2020

This Is Who We Are #6: Miró Quartet's <i>Faces of America: The Light</i>
This Is Who We Are #6: Miró Quartet's Faces of America: The Light
A daily affirmation of Austin's creativity from the Chronicle archive

Robert Faires, May 12, 2020

This Is Who We Are #5: Salvage Vanguard Theater's <i>Death of a Cat</i>
This Is Who We Are #5: Salvage Vanguard Theater's Death of a Cat
A daily affirmation of Austin's creativity from the Chronicle archive

Robert Faires, May 8, 2020

This Is Who We Are #4: Zach Theatre's <i>The Gospel at Colonus</i>
This Is Who We Are #4: Zach Theatre's The Gospel at Colonus
A daily affirmation of Austin's creativity from the Chronicle archive

Robert Faires, May 7, 2020

This Is Who We Are #3: <i>A New Year's Conspirare Classic</i>
This Is Who We Are #3: A New Year's Conspirare Classic
A daily affirmation of Austin's creativity from the Chronicle archive

Robert Faires, May 6, 2020

This Is Who We Are #2: Sally Jacques' <i>The Well Inside</i>
This Is Who We Are #2: Sally Jacques' The Well Inside
A daily affirmation of Austin's creativity from the Chronicle archive

Robert Faires, May 5, 2020

This Is Who We Are #1: Rude Mechs' <I>Big Love</I>
This Is Who We Are #1: Rude Mechs' Big Love
A daily affirmation of Austin's creativity from the Chronicle archive

Robert Faires, May 4, 2020

Austin Weird Homes Tour: The Mysterious Planchette
Austin Weird Homes Tour: The Mysterious Planchette
In this virtual Weird Homes Tour presentation, Brandon Hodge wanted to have a few (spirit-channeled) words with you

Wayne Alan Brenner, April 30, 2020

The Heroine of <i>The Roxy Letters</i> Fights to Get Austin's Groove Back
The Heroine of The Roxy Letters Fights to Get Austin's Groove Back
Mary Pauline Lowry's quirky novel looks for the city's soul

Robert Faires, April 16, 2020

The Hideout Theatre’s Virtual Threefer
The Hideout Theatre’s Virtual Threefer
Three troupes Zoomed and Twitched their time upon the improv stage

Wayne Alan Brenner, April 2, 2020

Sad Girls Productions’ <i>So Lucky</i>
Sad Girls Productions' So Lucky
This world premiere from a brand-new company lacks polish, but it does honor its community’s stories

Elizabeth Cobbe, March 19, 2020

Jo Carol Pierce’s <i>Bad Girls Upset by the Truth</i>
Jo Carol Pierce’s Bad Girls Upset by the Truth
This revival of Jo Carol Pierce’s one-woman show from the Eighties pays loving tribute to the author without really coming into its own

Trey Gutierrez, March 19, 2020

Fallout Theater's <i>The 2020 First Annual Hollywood Awards Show: Live in Hollywood!</i>
Fallout Theater's The 2020 First Annual Hollywood Awards Show: Live in Hollywood!
A zany yet surprisingly relevant awards show satire dives into the glitzy soullessness of Hollywood

Madelyn Geyer, March 12, 2020

<i>So Lucky</i> Makes Space for Asian Americans Onstage
So Lucky Makes Space for Asian Americans Onstage
Sad Girls Productions' new play hopes to create connections within the community

Robert Faires, March 12, 2020

Vortex and New Manifest Theatre's <i>good friday</i>
Vortex and New Manifest Theatre's good friday
Kristiana Rae Colón's shocking drama puts audiences at the intersection of gun violence and sexual assault, and makes us think about both

Trey Gutierrez, March 12, 2020

Book Review: <i>Barn 8</i>
Barn 8
Deb Olin Unferth reveals humor and humanity inside a hen heist

Robert Faires, March 9, 2020

Book Review: <i>The Body Double</i>
The Body Double
Emily Beyda's debut novel is ready for its close-up

Robert Faires, March 6, 2020

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