Myth and Tech Merge for the SXSW Art Program
Technology becomes the new enchantment in Mixanthropy
121-150 of 9,002 entries
Wayne Alan Brenner, March 9, 2023
Getting Sweaty With this Year's SXSW Comedy Keynote, Impressionist James Adomian
The pervert's guide to Slavoj Žižek
Rod Machen, March 9, 2023
Queer South By Proficiency Check
Your search for queer fun at SXSW is just a dice roll away with Qmmunity's recommendations
James Scott, March 9, 2023
A Week of Wild Tennis in Austin
The first ever ATX Open was a smashing success
Rod Machen, March 8, 2023
Review: Dr. Seuss's The Cat in the Hat
If you happen to go, bring a toddler in tow
Bob Abelman, March 2, 2023
Austin PBS Takes to the Streets for Muraling Austin
Three-part series will explore the vibrant art of our public space
Richard Whittaker, Feb. 27, 2023
Alamo Drafthouse Rolls the Dice on a New Dungeons & Dragons Mural
Artist TRUTH sprays his artistic magic over Slaughter Lane
Richard Whittaker, Feb. 25, 2023
Professional Tennis Comes to Austin
From champs to fan faves, eight players to watch at the ATX Open
Rod Machen, Feb. 24, 2023
Review: Godspell
St. Ed’s turns stale water into drinkable wine
Bob Abelman, Feb. 23, 2023
Five Orchestral Performances to Get You Hooked on Classics
Expand your musical horizons with these really old-school grooves
Wayne Alan Brenner, Feb. 23, 2023
Review: Broadway in Austin’s Disney’s Aladdin
Poster child for Broadway's Disneyfication still crazy entertaining
Bob Abelman, Feb. 16, 2023
Review: The Play That Goes Wrong
Physics and farce join forces to surprisingly hilarious if exhausting effect
Bob Abelman, Feb. 16, 2023
Five Things to Catch at OUTsider Fest
OUTsider explores the queer underground with their 2023 festival, Shapeshifting Underbellies
James Scott, Feb. 16, 2023
Review: In the Beginning
Do gynoids dream of inflatable sheep in this wild woman dum dum show?
Wayne Alan Brenner, Feb. 9, 2023
Moontower Announces Jenny Slate, Leslie Jones, Jay Pharoah, and More for Its Just for Laughs Festival
Samantha Bee, Ziwe, Monét X Change, and many more added to lineup
James Renovitch, Feb. 9, 2023
Five Ways to Get Your Arts-Loving Heart On
You want some culture in your romance, these events have got you covered
Wayne Alan Brenner, Feb. 9, 2023
Review: The Filigree Theatre's Fire in Dreamland
This compelling drama ignites but doesn’t blaze
Bob Abelman, Feb. 9, 2023
FronteraFest Review: How to Be an Ethical Slut
How to have a good time in three parts
Jasmine Lane, Feb. 7, 2023
A Change of Location but the Same Spirit at South Congress Books
After more than a decade the store finds a new home on Kerbey Lane
Joelle DiPaolo, Feb. 5, 2023
Review: Zach Theatre & Deaf Austin Theatre’s Rodgers + Hammerstein’s Cinderella
An innovative approach to a marvelous play
Bob Abelman, Feb. 5, 2023
The Sound of Crystals at Corteo
Inside rehearsals at the traveling Cirque du Soleil show
Richard Whittaker, Feb. 3, 2023
Big Medium to Leave Canopy This Spring
Little tells the long and short of it
Wayne Alan Brenner, Feb. 3, 2023
Review: Flood of Spirits
World premiere conjures up a haunting evening
Richard Whittaker, Feb. 3, 2023
Leather Magnolias: In the Chair at Daddy's and Scruff's
How two gay-owned barbershops are changing the face and faces of East Austin
James Scott, Feb. 3, 2023
Five Exhibits Beyond Mere Eye Candy
Form and substance balanced in these thought-provoking works
Wayne Alan Brenner, Feb. 3, 2023
Separating Fact From Fiction in the Texas Rangers’ Bloody History
Traveling exhibit reexamines border killings
Joelle DiPaolo, Feb. 2, 2023
Austin Opera’s Sweeney Todd: The Demon Barber of Fleet Street
Sharp Sondheim staging could benefit from some musical raggedness
Bob Abelman, Feb. 1, 2023
Flamencos, Mariachis, and Murder Announced for Austin Opera 2023-24 Season
New year kicks off with murderous classic Pagliacci
Richard Whittaker, Jan. 27, 2023
Trust Is the Vibe at Fallout Theater
The Downtown comedy club celebrates its fifth anniversary by looking to the future
Valerie Lopez, Jan. 26, 2023
Five Shows to Light Up the Stage
As the new year’s dark period lifts from theatres, it’s time to get back in the stalls
