Ventana Ballet's The Watchmaker's Song

This playful take on The Nutcracker lets audiences in on the action and brings a new magic to the familiar ballet


Dancers in Ventana Ballet's The Watchmaker’s Song (Photo by Alexsi Carrasquillo)

In a city of 1,000 Nutcrackers, with each trying to jeté its way into your holiday heart, creating one that stands apart from the crowd can be quite a challenge. But last December, Ventana Ballet leapt into the fray and managed, against all odds, to make a different Nutcracker. It wasn't just because of its name, taken from a part of E.T.A. Hoffmann's original tale that's not in the ballet. (Call it a prequel, a story-within-the-story explaining how the prince was transformed into a nutcracker in the first place.) And it wasn't just because of its use of The Nutcracker Suite by Duke Ellington and Billy Strayhorn; that jazzy reinvention of Tchaikovsky's score has been the soundtrack for Tapestry Dance Company's rhythm tap take, Of Mice & Music, for many Christmases. It was because of the chance it offered to dive inside this familiar work, to attend the party that kicks off the evening's adventure and take our own journeys to see cultures of faraway lands. The Watchmaker's Song let us in on the action – up to and including stepping out with Ventana's dancers.

Not surprisingly, the show was distinctive enough – not to mention appealing enough to a city that loves immersive experiences – that it found an audience. So Ventana has revived it for a sophomore run. As before, it's staged at the Neill-Cochran House Museum, the 1855 Greek Revival home in West Campus, where the front porch serves as a stage of sorts for Act I. Its Doric columns and limestone walls create the feel of a 19th-century opera house providing a program of traditional ballet, but most everything else sets us squarely in the middle of the 20th century. With the Austin Jazz Band delivering the full swing-era, big-band sound on the Ellington/Strayhorn score and dancers sporting retro fit and flare dresses, this could be a hop at the USO. (That feeling is boosted when dancers' classical moves give way to swing dance steps, and they invite lucky audience members to cut a rug and join a conga line.)

Granted, it's a long way from battling evil mice under the Christmas tree and taking a magic sleigh to the Land of Snow, but threaded throughout all this updated fun – and it is fun – are nods to the original ballet. Our young heroine – here named Marie as in Hoffmann's book – and the Nutcracker meet and fall for each other, with Rachel Culver and Atticus Griffin endearingly earnest and appropriately moonstruck; when they dance, they make their own beautiful music. We see the Snow Queen (Dorothy O'Shea Overbey, who also directed and choreographed the show, brings a regal elegance to the party) and Herr Drosselmeyer's dolls (Rachel Meador and Megan Dollar). All of this is overseen by our host, whose gray beard, blue-velvet hooded cloak, and sleep-inducing sweeps of his arm suggest D&D wizard more than watchmaker; but Navaji David Nava is hospitable in the role, and his fluid moves make him an engaging partner for other dancers. When he invites us into the house, we're inclined to follow.

Indoors is where the audience discovers a world of dance. Instead of The Nutcracker's dances inspired by different cultures, here are actual dances from different cultures, performed by local residents who really know them: Egyptian belly dance by Rania Kandil with Raks Saheeb, Spanish flamenco by Stephanie Keeton, tango by a duo from Esquina Tango, Irish step dance by a trio of students from the Irish Dance Center, and drag by Colleen DeForrest. Each dances in a different room, and the audience, divided into groups, moves from room to room for short sets. Despite the crush of bodies in the smaller rooms and, on the night I attended, timing issues that resulted in traffic jams as the groups moved, the setup allows the audience to make intimate connections with these cultural dances and their dancers – something one couldn't do with a traditional Nutcracker. But Ventana wisely doesn't ignore the beloved ballet. Its finale brings in the Sugar Plum Fairy (Ventana Executive Director AJ Garcia-Rameau, all grace and enchantment), joined by the Snow Queen, Marie, the Nutcracker, and the Watchmaker, all dancing to Tchaikovsky – and all at arm's length from the crowd. To be so close to something you know so well from afar is to see it anew. It is magical, and in a way that is all this show's own.

The Watchmaker’s Song

Neill-Cochran House Museum, 2310 San Gabriel
www.ventanaballet.com
Through Dec. 21
Running time: 1 hr., 30 min.

A note to readers: Bold and uncensored, The Austin Chronicle has been Austin’s independent news source for almost 40 years, expressing the community’s political and environmental concerns and supporting its active cultural scene. Now more than ever, we need your support to continue supplying Austin with independent, free press. If real news is important to you, please consider making a donation of $5, $10 or whatever you can afford, to help keep our journalism on stands.

Support the Chronicle  

READ MORE
More Ventana Ballet
Ventana Ballet Opens Season Three With a Flock of <i>Night Birds</i>
Ventana Ballet Opens Season Three With a Flock of Night Birds
The company's avian-themed program includes five dancers, three cellists, and art from the atxGALS collective inside the Cathedral

Robert Faires, July 30, 2021

More Arts Reviews
Women & Their Work's
"We Know Who We Are. We Know What We Want."
In this inaugural exhibition at W&TW's new permanent home, nine artists provide an inquiry of breadth and depth

Robert Faires, Sept. 10, 2021

"Beyond Van Gogh" Is a Three-Dimensional Perspective With a One-Dimensional Outlook
Touring immersive exhibition continues at Circuit of Americas through Sept. 5

Cody Song, Aug. 20, 2021

More by Robert Faires
Last Bow of an Accidental Critic
Last Bow of an Accidental Critic
Lessons and surprises from a career that shouldn’t have been

Sept. 24, 2021

"Daniel Johnston: I Live My Broken Dreams" Tells the Story of an Artist
The first-ever museum exhibition of Daniel Johnston's work digs deep into the man, the myths

Sept. 17, 2021

KEYWORDS FOR THIS STORY

Ventana Ballet, AJ Garcia-Rameau, Dorothy O'Shea Overbey, Navaji David Nava, Atticus Griffin, Rachel Culver, Megan Dollar, Neill-Cochran House Museum, Austin Jazz Band, The Nutcracker, The Nutcracker Suite, Tchaikovsky, Rania Kandil, Raks Saheeb, Stephanie Keeton, Esquina Tango, Irish Dance Center, Colleen DeForrest, Rachel Meador

MORE IN THE ARCHIVES
NEWSLETTERS
One click gets you all the newsletters listed below

Breaking news, arts coverage, and daily events

Can't keep up with happenings around town? We can help.

Austin's queerest news and events

Eric Goodman's Austin FC column, other soccer news

Information is power. Support the free press, so we can support Austin.   Support the Chronicle